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» A quantum CD?
» The need for a balanced »
» Pacific Microsonics Mode»
» The CD players must read»
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» Engineering over Art
» Overlooked Cello Reperto»
» Hørning prøble»
» Transfer: The reel-to-re»
» Our Fuzzy Pussies, Audio»
» Dannoy and oxytocin...
» Memories of audio elemen»
» 45Hz Bass Horn
» What about 220V 50Hz?
» Back chamber
» Micro Seiki DD30 Headshe»
» The commercial music ser»
» OK, digitechs, why won't»
» Beware of the "dipo»
» “Hearing Modernity” at H»
» How to give bats a heada»
» The irony of playback ph»
» Some Horns propaganda
» Phono stages with SU-1
» Remote control - the ult»
» Getting Started with Mya»
» Midbass injection channel
» Micro RX 5000
» A tribune to Transient E»
» Ortofon MC Anna cartridg»
» The girl with banjo - th»
» Middle step (non ultimat»
» Celibidache / bruckner
» Playback and operation o»
» The state of High-Effici»
» HELP on a Custom 3 Way H»
» New Shalin Liu Performan»
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StateWork Broadcast Reco»
Higherfi.com
Scriabin's Sonatas
Exponential/Hyperbolic C»
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Berkshire Record Outlet
Electronics encyclopedia
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Altec 808A compression »
Stage Acompany SA8535 d»
Pacific Microsonics Mod»
Tribute Output Amorphou»
Electro-Voice T350 twee»
Musatex’s Bidat Model "»
Vitavox S2/S3 diaphragms
Kenwood L-02T FM Tuner
Vitavox AK-15/40 15" ba»
Micro Seiki RX-5000
Micro-Seiki Arm Board
More Leftovers »»