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» Playback and operation o»
» Use absolute polarity as»
» Melquiades: too early fo»
» Bad orchestras shell not»
» Ultimate HF output trans»
» Why I do not love Mahler?
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» A new 'chic' foolishness»
» Low output MC?
» 7788 tube mic pre design
» Middle step (non ultimat»
» Reference Recordings “di»
» Making it sing...
» Orphean horns / BMS driv»
» Equalizer? Hm…
» Worcester Music 2009-201»
» About my listening habit»
» The mono cartridges para»
» The BBC Proms 2009
» Another light for the LS»
» Best recording I heard i»
» Micro Seiki SX777 Air Re»
» Infinite Baffle Implemen»
» Acoustics of Avery Fishe»
» Dunlavy SC++ loudspeaker»
» New show in US, some new»
» Outdoor horns
» What are the effects of »
» Midbass impedance bumps »
» Lutoslawski’s Concerto f»
» 47 Lab Digital
» New Sonus Faber
» A Very Nice "Eroica»
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Classical events in Boston
APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
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he wasn’t toscanini, but h»
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Composer's Anniversaries
Lübeck, Vincent ( Sep»
Hoffmeister, Franz Anton (»
von Dohnányi, Ern»
Dohnányi, Erno (27 Ju»
Berg, Alban (9 February 18»
Genzmer, Harald (9 Februar»
Drew, James (9 February 19»
My Audio Leftovers
Conscience of audio rev»
Hillock TV-2 tube tester
Vitavox S2 Compression »
REL Precedent 646C tuner
Tribute Output Amorphou»
Lamm Industries M1.1 Mo»
Micro-Seiki Arm Board
Lamm ML-2 Single-Ended »
Micro-Seiki air-suspend»
Sansui TU-X1 Tuner
Rohde & Schwarz MSDC Mu»
More Leftovers »»