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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
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» Good commercial speakers
» "Zaratustra II"»
» What about 220V 50Hz?
» Who has best sound in Hi»
» A great conductor - but »
» A tube tuner? REL Preced»
» Reel-to-Reel Tape vs. Ra»
» The Full (fuller) Range »
» Canadian Speaker Proposal
» “They either adore me or»
» New Shalin Liu Performan»
» The industry’s high qual»
» Is anybody live in Austr»
» Analog FM on a PCI cards?
» Do not pursue full-range»
» Film about Jacqueline du»
» Time alignment of drivers
» Passive line level cross»
» What is wrong there and »
» Fostex tweeters, Lowther»
» Cmpare them
» Help with Math needed.
» Saying goodbye to the di»
» Some kinky goodies from »
» How we "think"»
» About bass horns by Joha»
» SS Power Amps - the FoxN»
» Holly Proscenium idiocy!
» Baseline measurements an»
» Horns and digital crosso»
» Musicians' ear
» The elusive “absolute to»
» There is nothing subject»
» Putin or Medvedev?
» Who the hell is this int»
» Horns and digital crosso»
» A DSET is better then an»
» About the undeveloped au»
Bookmarked are red
Berkshire Record Outlet
Aria Database
Find-a-Concert
Tuners Stereo Surgeons
The Victor Victrola Page
Exponential/Hyperbolic C»
WGBH's “Keeping Score”
Phil Mundi Audio Pro Med»
High-Tech Hi-Fi
Norman Lebrecht's blog
Neal's Recordings
Appian Publications & Re»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Micro-Seiki Arm Board
Stage Acompany SA8535 d»
Vitavox S2/S3 diaphragms
Pacific Microsonics Mod»
Micro-Seiki MAX-282 To»
Lamm ML-2 Single-Ended »
Vitavox AK-15/40 15" ba»
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Musatex’s Bidat Model "»
Koetsu Onyx Platinum Ca»
Electro-Voice T350 twee»
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