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Audio Knowledge Tree ™
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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
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» Boston and Bruckner
» Contributing factors in »
» MDTunes™ from SoundLab l»
» My new “New” listening r»
» Using chairs as phase ra»
» SME M2-12 tonearm
» Recommend me works to ge»
» Bass impact on Turntable»
» George Orwell and loudsp»
» The Dark Hope of Renee F»
» Rohde & Schwarz EU-6»
» A big room with good aco»
» Natalia Gutman (!) in Bo»
» Antenna diversity system»
» Bruckner 8 in Washington»
» Lower cost horn loaded a»
» New Shalin Liu Performan»
» (Whose) classical music.»
» Better organization/desi»
» Recording options: Pacif»
» Motion Picture Sound
» To drive the 6C33C...
» The Edgarhorn RTA respon»
» The 'nature' of said rea»
» Bach's Cello Suites
» Flac 16bit/48Khz streami»
» Bach by Ormandy’s Philad»
» Entry level DSET Melq?
» Targeted Audio Listening»
» Shall quality-price be r»
» Floor reflections
» High-End Audio: buy vs. »
» Exceptional loudspeakers»
» Gospel, pop, jazz and co»
» Constant directivity = c»
» Nanse Gum and his Euro-A»
» Why second tonearm/cartr»
» The Full (fuller) Range »
Bookmarked are red
Takashi Asahina Group
Classical Recordings New»
Pjay's Speaker building »
WGBH's “Keeping Score”
Value of Records Tool
Berkshire Record Outlet
THL Audio
Random Classics
Appian Publications & Re»
Robert Greene’s "Reg on »
Musical Instrument Jokes
Twogoodears' Blog
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 In Search of New Wor»
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Kenwood L-02T FM Tuner
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“Tree Blind Mice” colle»
Micro-Seiki MAX-282 To»
Purist Audio Design Pro»
Rohde & Schwarz MSDC Mu»
Altec 515B bass drivers
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ESS AMT-1A Heil Air Mot»
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