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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
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» NOS Wagner move - what i»
» The “Dead Points of Live»
» Kharma Speakers as pH-in»
» The Engström & »
» Amplification and Consci»
» I think it is the end.
» ESP Concert Grand SI Lou»
» Compression drivers saga
» Ode to joy
» Joël Durand Intervi»
» JBL 2490 mid-range driver
» Use absolute polarity as»
» An interesting TT link: »
» I need a “second-type” p»
» Dvorak/"Dumky"»
» Devid Berning amplifiers»
» Lamm Industries: a speci»
» It was seventy years ago»
» A subwoofer of death, no»
» Designing and building a»
» “Why horns”, years later.
» Berlin Philharmonic Dire»
» Klipsch Jubilee horn
» Large Polystyrene Caps
» Vitavox S2 coupling
» EAR Yoshino DAC 4 by Tim»
» An idea of Individual Re»
» The Dvorák’s Tone P»
» Depicting and Visualizin»
» Lutoslawski’s Concerto f»
» Maxim Vengerov: Encore i»
» Electricity... power str»
» The Estonian idiocy: Est»
» About bass horns by Joha»
» About Moronism in Audio
» Anyone Care to Make Odds»
» Alicia De Larrocha, Bach»
» Computer Audio
Bookmarked are red
Tonal tests
Rradiomuseum
Willem Mengelberg discog»
Robert Greene’s "Reg on »
Lied and Art Songs
Hughs Ominous Tubes
Russian Music in 20th Ce»
Classic Artc Showcase
MetManiac Opera Archive
Exponential/Hyperbolic C»
Marston Records
Tuners Stereo Surgeons
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Micro-Seiki MAX-282 To»
Micro-Seiki air-suspend»
Lamm L2 Reference pream»
Altec 515B bass drivers
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