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» A horrible re-performanc»
» The meaning of lowest oc»
» Bruckner 8, the document»
» What is wrong there and »
» A subwoofer of death, no»
» Yamaha tuners
» Practical Guide for Back»
» Low output MC?
» Perception of bass?
» Lutoslawski Concerto for»
» Integrated sound field o»
» The sound of Concert Hal»
» The pianist Yuja Wang … »
» My reading for a “smalle»
» About High-End Audio for»
» Another "Top five t»
» A great OPT resource page
» Antenna solutions for FM
» Driver Alignment, and Wh»
» The Dark Hope of Renee F»
» Klipsch Jubilee
» Do not pursue full-range»
» Some thoughts about bass»
» Audio Shopping vs. Piano»
» The Real Total Horn
» Conclusions on my Home a»
» Music and Arts' Spring.»
» More about Vienna Philha»
» How is Leak tl 25 differ»
» Why Hight-End Audio, as »
» Recapping RX5000
» Audio clubs in London, T»
» Commercial Air Blower Io»
» Why David Robertson does»
» How to USE “Resonating O»
» Balanchine’s “Pathetique”
» Has anyone built the DIY»
» Fidelity Research FR-7
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The Thiele-Small Loudspe»
Altec divers/horns
IMSLP Music Library
ElecroVoice’s Vintage Pr»
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WGBH alumni
Soviet Composers
George Szell discography
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APR 11 Benjamin Zander, con»
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APR 12 Takács Quartet in Gr»
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Micro Seiki RX-5000
Sansui TU-X1 Tuner
“Tree Blind Mice” colle»
Kenwood L-02T FM Tuner
Lamm ML-2 Single-Ended »
ESS AMT-1A Heil Air Mot»
Micro-Seiki Arm Board
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Purist Audio Design Pro»
Electro-Voice T350 twee»
Vitavox S2/S3 diaphragms
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