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» A truly cool solution fo»
» Making of a Steinway.
» Using chairs as phase ra»
» Use absolute polarity as»
» About Single Driver Spea»
» Musique Concrete horns
» Antenna attenuator – you»
» 6E6P-DR in triode mode
» What is High-End Audio, »
» Zanden 2500S CD player +»
» Romy the Cat’s Audio Hom»
» Vitavox and Goodmans Bas»
» Taking the mystery out o»
» Orchestra of 32 Loudspea»
» The tapped horns: cons, »
» I need some advice and d»
» Do curved corners help???
» Think how a playback com»
» BAAS posting of two raw »
» Multiple Tracks, Each On»
» Targeted Audio Listening»
» Klangfilm: actual knowle»
» The 'Side's End Ceremony»
» Small double bass horn f»
» What are the effects of »
» A good young conductor: »
» How to organize files wi»
» How to make a speaker dr»
» Brahms' Magelone Songs
» Summary: my/your audio: »
» High-end audio: Absolute»
» Tuners and digital noise»
» “Why horns”, years later.
» Problems with horns: upp»
» Rohde & Schwarz EU-6»
» Juana Zayas plays Chopin
» Some thoughts about bass»
» Thoughts from Clark John»
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George Szell discography
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Vitavox S2/S3 diaphragms
Micro Seiki RX-5000
Stage Acompany SA8535 d»
Fane Studio 8 dual conc»
Sansui TU-X1 Tuner
ESS AMT-1A Heil Air Mot»
Korvet “Egg” Tonearm
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Hillock TV-2 tube tester
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Altec 515B bass drivers
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