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Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Audio Shopping vs. Piano»
» An evening to remember -»
» The most emblematic reco»
» Attention Sound Engineer»
» About HF Binaurallism
» The BSO and Digital Musi»
» Expressive Technologies »
» Eventually I’ve seen a l»
» The "anecdotal"»
» Danley's Hyperion
» Philosophical approach t»
» Watching conductors of t»
» CATS Purring tempo, slid»
» Oistrakh(s) on Monitor M»
» Cleaning my PP2000
» Tonearms criterias??
» Macondo – Super Melquiad»
» Arranging my records col»
» Dynamic viscose stabiliz»
» Deficiency of sensible a»
» The exaggerated boots un»
» Transparent horns
» The CD players must read»
» Do the Filament Transfor»
» Any recommendations?... »
» The WHRB’s Orgies period.
» Dvorak/"Dumky"»
» Conchita Supervia
» Beware of "Higher F»
» Hypex for ULF?
» Some kind of Grundig…
» The crossovering Messiah»
» It is all about hard sur»
» High Definition Tape Tra»
» Thoughs about “My Playba»
» Miniumum sample rate for»
» More about the EdgarHorn»
» A complex Audio Question
Bookmarked are red
Art Songs and Librettos
Solid State Electronics
The Cartridge Database
Phono EQ
IMSLP Music Library
Koussevitzky & BSO
Hermann Scherchen discog»
Linkwitz's "Laboratory"
Olson Acoustical Book
Pristine Audio Direct
Nubes Partem
GEMM catalog
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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AUG 1 Mozart: The Marriage»
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Rohde & Schwarz MSDC Mu»
Hillock TV-2 tube tester
Fane Studio 8 dual conc»
Vitavox AK-15/40 15" ba»
Ortofon Mono CG 25 Di c»
Rohde & Schwarz EU-6201»
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Purist Audio Design Pro»
Lamm L2 Reference pream»
Vitavox S2/S3 diaphragms
Micro-Seiki Arm Board
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