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» The “Melquiades” Sound -»
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» The most ridicules symph»
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» Audio system: my path to»
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» What drives your musical»
» The Softer Side of a Har»
» Today’s SACD - music for»
» Polish Chamber Choir - S»
» Loudspeaker: Sound repro»
» Alfred Schnittke’s Gogol»
» Tannoy Red or Gold monit»
» Another (outdoorsy) swea»
» Satisfying result: the R»
» Monitors: Wishful thinki»
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» Mahler: Symphony No. 2 i»
» LeCleach vs. tratrix and»
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» Tokyo (Akihabra) Audio a»
» Avid Listener --- Stereo»
» The single-ended pretens»
» 'Ideal' ceiling height? »
» A better way of approach»
» Gould's Goldberg Variati»
» The Sound assessment rec»
» What’s up with these gia»
» Commercial Air Blower Io»
» 3.5m Tractrix Horn Proje»
» I think about War lately.
» The 5th horns in stack o»
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Classical events in Boston
APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
NPR Classical Programs
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he wasn’t toscanini, but h»
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Composer's Anniversaries
Avison, Charles (16 Februa»
Gossec, François-Jose»
Rode, (Jacques) Pierre (Jo»
Berger, Ludwig (18 April 1»
Zabel, Albert Heinrich (22»
Scharwenka, Philipp (16 Fe»
Palmgren, Selim (16 Februa»
Willan, Healey (12 October»
Lajtha, László (»
Kabalevsky, Dmitri (30 Dec»
Wilder, Alec (16 February »
Bernal-Jiménez, Migue»
Corigliano, John (16 Febru»
My Audio Leftovers
Vitavox AK151 15" bass »
SME M2 - 12" Tonearm wi»
Stage Acompany SA8535 d»
Fane Studio 8 dual conc»
REL Precedent 646C tuner
Lamm Industries M1.1 Mo»
Micro-Seiki MAX-282 To»
Pacific Microsonics Mod»
“Tree Blind Mice” colle»
Ortofon Mono CG 25 Di c»
Korvet “Egg” Tonearm
More Leftovers »»