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» Use absolute polarity as»
» Something that a loudspe»
» Chostakovich: Concerto »
» Tolga Kashif's “The Quee»
» Johannes Brahms - Sympho»
» Radio Netherlands’ Live!»
» Compression at WCRB - b»
» I think it is the end.
» The DHOFT topology? Do n»
» Chopin's Waltzes, Witold»
» Basic guide to advanced »
» The low-power SET and de»
» Who the hell is this int»
» Acoustics of Avery Fishe»
» Eben X-3 loudspeakers -»
» Custom made woofers.
» Dreams about Audio
» Multicellular horns
» The sound of Concert Hal»
» SET and speakers: disreg»
» New paradigm - what an &»
» The dynamic range of our»
» Audio and Music: four le»
» Harry Pearson new round »
» JBL2440 on a round 300Hz»
» Beware of the "dipo»
» Revisiting DSP
» Beethoven PC 5 Surprise »
» Interesting non horn spe»
» The Museatex Bidat pages.
» Speakers: a hi-fi disast»
» Micro Seiki MAX 282 User»
» DAC Recommendations
» Meitner Audio - Ed Meitn»
» Stop having a fear of ho»
» I do not know what else »
» Melquiadising other amp?
» More about the EdgarHorn»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Micro Seiki RX-5000
Lamm L2 Reference pream»
Purist Audio Design Pro»
Rohde & Schwarz MSDC Mu»
Pacific Microsonics Mod»
Conscience of audio rev»
Koetsu Onyx Platinum Ca»
Ortofon Mono CG 25 Di c»
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Altec 515B bass drivers
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