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» Reel-to-Reel Tape vs. Ra»
» Sibelius VC; Furtwangler»
» About digital files and »
» The “Melquiades” Sound -»
» 3 ways how I listen to m»
» The beauty of Cannibalis»
» A request to all members»
» Better solution for bein»
» Does horn surface porosi»
» My Analog Playback: the »
» Playback as an expressiv»
» Building On "Accide»
» A stunning Beethoven’s “»
» About the thoughtfulness»
» Speaker Building
» Taking the mystery out o»
» The sound compromises of»
» Focal-Jmlab – the Utopia»
» Anything wrong with wide»
» Kharma Speakers as pH-in»
» Opera “Boris Godunov”
» About the life-expectanc»
» About beauty and uglines»
» A different type of uppe»
» Speakers: a hi-fi disast»
» Miniumum sample rate for»
» Russian Orthodox liturgy»
» Some Orchestra on Demand»
» Macondo – Super Melquiad»
» What is the difference b»
» Better DAW by a “second”»
» Kitties go to London
» The "anecdotal"»
» Motion Picture Sound
» LF Amplifier in biamping.
» The Classical Music Caf&»
» Steve Leung, Cartridge W»
» MDTunes™ from SoundLab l»
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Classical Collections
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Recording Technology His»
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