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» Midbass Horns and Real E»
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» The DHOFT topology? Do n»
» Boston and Bruckner
» Hmmm... the sad truth ab»
» Just Hi.. and my audio b»
» Wagner and loudness.
» Instrumental music vs. o»
» A slightly crazy idea fo»
» RCA’s Sound And The Story
» Bad, bad, bad 1812 Overt»
» Aries Cerat Contendo - t»
» Does tube preamplifier V»
» The mystery of Koetsu On»
» Chicago Lyric Opera on W»
» Ever thought about how m»
» The period DHT tubes and»
» DBT - a signature of lis»
» The CES 2005
» It looks like Brits will»
» How Piazzolla should sou»
» John Cage about silence »
» Inside views of "me»
» Reading an official audi»
» Some Orchestra on Demand»
» I think it is the end.
» Vincent Brient’s playbac»
» Ortofon MC Anna cartridg»
» Audio and Politic: a sol»
» The loudspeakers for a p»
» Help to identify the LF »
» Practicality of paper ma»
» Micro Seiki MAX 282 User»
» Thomas Mayer’s Triamp
» Valve Technology Timeline
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» New set-up causing major»
» 100V vs 120V
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Marston Records
Former Sirkorski Site
The Victor Victrola Page
Boston Philharmonic Orch»
Olson Acoustical Book
Instant Encore
Clemens Krauss Archive
VIP Records
Vintage EV speakers
Opera America
Direct Drive TT
Vladimir Lamm Site
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Mid-range tantrix round»
Musatex’s Bidat Model "»
Vitavox AK151 15" bass »
Micro Seiki RX-5000
Vitavox 330Hz Horn for »
Sansui TU-X1 Tuner
Korvet “Egg” Tonearm
Vitavox S2 Compression »
Kenwood L-02T FM Tuner
Lamm L2 Reference pream»
Micro-Seiki Arm Board
More Leftovers »»