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» Phono stages with SU-1
» Fire and Music
» A book about Loudspeaker»
» Bruckner 9, Transcriptio»
» Macondo 3.0
» 3012, 312, M2-12 or ... ?
» Ah Mravinsky !
» A Frankenstein Macondo -»
» Conductor Herbert Kegel
» Two-stages, hybrid, smal»
» My first audio show. Hmm»
» The Shielding Condoms on»
» Gould's Goldberg Variati»
» $350.000 of audio-script»
» The “sounds” that I am l»
» A different breed of 6C3»
» Today's best turntables »
» A Simple Question (or 3)»
» Contributing factors in »
» Pono & Meridian - an»
» 2010 Classical Grammy No»
» Signal variation, noise,»
» Every crowd has a silver»
» Tschaikowsky, [Violin] C»
» Midbass Horns and Real E»
» Engineering over Art
» Who owns what in FM
» TX-103s...
» Hungarian folded horn
» Meyer X-10
» The best “Die Fledermaus»
» Always check power-line »
» It is possible to elimin»
» Esther Kim. What did you»
» Greek Arcadian Audio new»
» What drives your musical»
» The Absolute Sound of Au»
» A very good horns system.
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APR 29 NEC Philharmonia in »
APR 30 Dima Slobodeniouk, c»
APR 30 Semiosis String Quar»
APR 30 Facets in Cambridge »
AUG 1 BU Tanglewood Instit»
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it’s (almost) business as »
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Mid-range tantrix round»
LF Transformer for 6C33C
Musatex-TP Bidat 20-Bi»
Kenwood L-02T FM Tuner
Altec 515B bass drivers
Lamm Industries M1.1 Mo»
Fane Studio 8 dual conc»
Micro-Seiki air-suspend»
Vitavox AK-15/40 15" ba»
Hillock TV-2 tube tester
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