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» Impressions from High En»
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» 3 ways how I listen to m»
» It looks like Brits will»
» About DSET-driven multi-»
» Ravel Piano Concerto No2
» Romy...thoughts on Lamm »
» Very interesting
» Tell me about more about»
» Proximity of horn’s cros»
» The essence of High-End »
» High-End Audio "sec»
» Suggested target curves »
» Class “D” – the industry»
» George Orwell and loudsp»
» The path of simplificati»
» Macondo 2.0?
» What are the effects of »
» EnABL: Just a note to aw»
» Joseph Haydn, Six Esterh»
» Avid Listener --- Stereo»
» My reading for a “smalle»
» So, What's the Story on »
» Garg wants more horns.
» Woofers cone repair – a »
» HELP on a Custom 3 Way H»
» Solid state revisited
» Placido Domingo... condu»
» Preamp/linestage recomme»
» The wonder of Ayre Acous»
» More about the EdgarHorn»
» High-End Audio and..... »
» Very in depth considerat»
» Do the Filament Transfor»
» Volti Audio's Vittora
» Perspective?
» 4-sale items
» The irony of playback ph»
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Good-Music-Guide
The National Valve Museum
Jammin' Jersey
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
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APR 12 Takács Quartet in Gr»
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CEC TL-0 MK2 transport
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LF Transformer for 6C33C
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Lamm L2 Reference pream»
Mid-range tantrix round»
Electro-Voice T350 twee»
Stage Acompany SA8535 d»
Kenwood L-02T FM Tuner
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