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End of Life Phonostage
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» Tannoy Red or Gold monit»
» Getting more power from »
» From Newton to Einstein
» LeCleach vs. tratrix and»
» DBT - a signature of lis»
» Disregard Digital with V»
» Dedicated Music Room Bui»
» Tschaikowsky, [Violin] C»
» Canadian Speaker Proposal
» Beware of the monophonic»
» Tuuubes - where are the »
» Micro Seiki, tonearm,car»
» Alicia De Larrocha, Bach»
» Sound is like a proverbi»
» An interesting read abou»
» A better way of approach»
» An amplifier for Tweeters
» Clark Johnsen.
» Baseline measurements an»
» X-mas list
» The contemporary pressin»
» Musicians' ear
» What to do in office?
» To hear Haydn for a firs»
» Why horn-loaded loudspea»
» Copper Mat on a Micro Se»
» The 5-ways from Germany.
» Shelter 901 on SME 309 t»
» Satellite radio
» Shock-absorbing tube soc»
» Happy birthday Johann Se»
» Zander's new Masterclass
» I built this device
» World's Finest Sounding »
» A resistor between scree»
» Future of high-end audio
» “Harmonic Speed”- friend»
» Engineering over Art
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Koussevitzky & BSO
Electron Tube Data sheets
Ron Penndor's Recollecti»
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Phono EQ
Elliott Sound Products
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Max Robinson’s “Fun With»
Haenssler Classic
Twogoodears' Blog
John Lenard Burnett's si»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Tribute Output Amorphou»
Micro Seiki RX-5000
Pacific Microsonics Mod»
Fane Studio 8 dual conc»
LF Transformer for 6C33C
Vitavox 330Hz Horn for »
Lamm ML-2 Single-Ended »
Koetsu Onyx Platinum Ca»
Micro-Seiki Arm Board
Rohde & Schwarz MSDC Mu»
More Leftovers »»