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Bach and Rain
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How to USE “Resonating O»
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12AX7 or?
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What lives in Symmetric »
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A different type of uppe»
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T.H.E. Show, Newport, 20»
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RX-5000 Thread tension.
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Oistrakh(s) on Monitor M»
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First Bruckner listening»
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Good commercial speakers
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Gould's Piano
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Platine Verdier Magnum
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The optimum Sampling Rat»
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Why second tonearm/cartr»
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About Timbre and Audio.
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The Ridiculous Japa-Braz»
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The “sounds” that I am l»
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The short "6C33C Su»
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Esther Kim. What did you»
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Do the Filament Transfor»
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Bach Cello Suites
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Tchaikovsky’ Death
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About reviewer’s qualifi»
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What is the buzz: the V-»
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The one-stage Melquiades.
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New set-up causing major»
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The New York Philharmoni»
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About the tweeters phase»
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NAT Audio Magna -160 Wat»
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My (Amplification + Acou»
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Aimez-vous Bartók?
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Is any interesting audio»
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Audio Sonar Acoustic Lev»
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New bottlehead dac
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Someone is DSETing, it s»
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Stunning Resurrection in»
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Yarlung Records at 24 bi»
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The corrupted listening »
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Classical events in Boston
APR 11
Benjamin Zander, con»
APR 12
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Magdalene Ho, pianis»
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In Search of New Wor»
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Classical Music News
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he wasn’t toscanini, but h»
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Composer's Anniversaries
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Gerhard, Roberto (25 Septe»
Sviridov, Georgi Vasilievi»
Neuman, Hans Federico (19 »
Monzo, Joe (5 January 1962»
My Audio Leftovers
Micro-Seiki Arm Board
Micro-Seiki MAX-282 To»
Ortofon Mono CG 25 Di c»
CEC TL-0 MK2 transport
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Tribute Output Amorphou»
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SME M2 - 12" Tonearm wi»
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