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» Satisfying result: the R»
» Reflex enclosures used a»
» A fresh take on 9th by t»
» 6E6P-DR in triode mode
» Does Reference Recording»
» Best recording I heard i»
» Macondo Horns: biography.
» Festival “Son & Imag»
» A lucidly implemented di»
» The leather-suspended dr»
» Why I do not like the &q»
» 3.5m Tractrix Horn Proje»
» Audio vs. Musical pitch
» A new European productio»
» About moronity of DIY Au»
» The mystery of AmpX
» DAC Recommendations
» Some kind of Grundig…
» Maxim Vengerov: Encore i»
» Zander's new Masterclass
» GM70 vs. 6C33C
» The Brain Inertia.
» New Barenboim’s Bruckner»
» Carbon Interconnect
» The SACD and the Windows»
» Clean and polish gunmeta»
» Re-set Martha Argerich!
» The inflatable speakers »
» The Daniel Hertz M1 ultr»
» It is possible to elimin»
» MTT’s Mahler at 180 ghra»
» How to evaluate playback»
» The single-ended pretens»
» The Silence of the Lamms!
» 2+3 surround sound??
» Munich High End 2010
» Jean Hiraga’s cooking of»
» Japanese Super High Mate»
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The Music Parlour.
Phil Mundi Audio Pro Med»
Phono EQ
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Wing Records
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Alexander Karpov’s “Next»
Virtuosos Discographies
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Purist Audio Design Pro»
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Kenwood L-02T FM Tuner
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CEC TL-0 MK2 transport
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