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» Berlin, Bruckner 8 in Ma»
» How High-End Audio can b»
» A big room with good aco»
» Nicolai Golovanov
» An ultimate horn profile?
» Russian cello festival
» The Softer Side of a Har»
» I need a “second-type” p»
» Macondo 2.0?
» The tapped horns: cons, »
» Object-oriented audio re»
» Stay home with Bruckner
» A new generation of full»
» The sound compromises of»
» Some kinky goodies from »
» Two-stages, hybrid, smal»
» Not new, but VERY intere»
» A dive to Auro 3D
» I think about War lately.
» A stunning Beethoven’s “»
» The foolishness of multi»
» The Sound and How We Hea»
» NOhorn channel for “the »
» SME M2
» DIY Firefly Horns
» Think ahead how to measu»
» Non-classical genius (st»
» New speaker system
» Orphean horns / BMS driv»
» Kristian Zimerman BBC in»
» Write your own ploy of t»
» Micro Seiki SZ-1T
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Polish GM70 Poject
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Purist Audio Design Pro»
Ortofon Mono CG 25 Di c»
Electro-Voice T350 twee»
Lamm L2 Reference pream»
Lamm ML-2 Single-Ended »
Sansui TU-X1 Tuner
LF Transformer for 6C33C
Musatex’s Bidat Model "»
Koetsu Onyx Platinum Ca»
Altec 515B bass drivers
Lamm Industries M1.1 Mo»
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