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» Interview with Daniel We»
» Computer Audio - like ev»
» The “sounds” that I am l»
» The Sound and How We Hea»
» Digital crossovers self-»
» Paul McGowan. tubes in p»
» Conductor Herbert Kegel
» Harry Pearson new round »
» A right midbass solution»
» If you were to start fro»
» Opera “Boris Godunov”
» Belar fms-2 Vs. r&»
» An interesting comment, »
» DeCompressor - Puncher P»
» Disregard the industry p»
» Is horn a natural shape?
» Equalizer? Hm…
» SET and speakers: disreg»
» The 24 bits of Christmas
» Melquiades: too early fo»
» Altec radial phase plug »
» A sad day in Greece.
» Problems with horns: twe»
» The “Melquíades” d&»
» Where is "Good enou»
» The Melquiades' "Re»
» Audio equipment vs. live»
» More about the EdgarHorn»
» The 500-megawatt FM stat»
» James Levine takes a gre»
» The best audio system: m»
» S3 on tractrix 260 graph.
» What is the buzz: the V-»
» About Timbre and Audio.
» Jean Hiraga’s cooking of»
» Cerebral and psychologic»
» 7788 tube mic pre design
» Attempt of a playback sy»
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Classical events in Boston
APR 11 Benjamin Zander, con»
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Composer's Anniversaries
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Marchand, Louis (2 Februar»
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Nazareth, Ernesto (20 Marc»
Kreisler, Fritz (2 Februar»
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Absil, Jean (23 October 18»
Harrison, Lou (14 May 1917»
Gelt, Andrew (2 February 1»
Cowherd, Harold Colin (2 F»
Wickham-Smith, Simon (2 Fe»
Hoffman, Marcus (2 Februar»
My Audio Leftovers
Vitavox AK-15/40 15" ba»
Micro-Seiki MAX-282 To»
Conscience of audio rev»
Micro-Seiki air-suspend»
Musatex’s Bidat Model "»
Korvet “Egg” Tonearm
Koetsu Onyx Platinum Ca»
Lamm ML-2 Single-Ended »
CEC TL-0 MK2 transport
Musatex-TP Bidat 20-Bi»
Lamm Industries M1.1 Mo»
More Leftovers »»