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» Recording options: Pacif»
» What drives your musical»
» The LavryBlack DA11 Ster»
» About DSET-driven multi-»
» How we "think"»
» Why I hate computer play»
» Interested in reading mo»
» About Moronism in Audio
» Altec A2
» Cooperation for the comm»
» The “Primary Frequencies»
» National Youth Orchestra»
» Should I low pass the mi»
» Spivakov, NPoR Orchestra»
» Building a new music room
» High-End Audio amplifier»
» Perspective?
» The IDEAL horn system
» The short "6C33C Su»
» New Sonus Faber
» My subject of envy to au»
» Stephen Hartkel, the goo»
» Natural Remedies for Sic»
» The ULF cannel for my ne»
» Earl Geddes: I can't her»
» Josh: My visit to Romy t»
» New nanotube speaker tec»
» High-End Audio demo, the»
» To Milq builders: correc»
» What is High-End Audio?
» About the thoughtfulness»
» Acoustics of Avery Fishe»
» A full-range driver = C»
» Why horn-loaded loudspea»
» The corrupted listening »
» Where are our good Tuner»
» First Order on Bass chan»
» S3 on tractrix 260 graph.
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Classical events in Boston
APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 In Search of New Wor»
NPR Classical Programs
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Duruflé, Maurice (11 »
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Obadike, Keith (11 January»
Sommer, Lukáš (1»
My Audio Leftovers
Vitavox S2 Compression »
Conscience of audio rev»
“Tree Blind Mice” colle»
Sansui TU-X1 Tuner
Fane Studio 8 dual conc»
Vitavox AK-15/40 15" ba»
Lamm Industries M1.1 Mo»
Musatex-TP Bidat 20-Bi»
Korvet “Egg” Tonearm
Koetsu Onyx Platinum Ca»
Hillock TV-2 tube tester
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