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Conductors and Audio Sou»
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Myth: High-efficiency L»
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Playback journeys and Mu»
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How difficult is it to a»
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Chinese upperbass horn.
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Used car salesman as a d»
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DHT driver & input
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A turntable platter as a»
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The Sakuma's Show
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BAAS posting of two raw »
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Bach and Rain
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About Single Driver Spea»
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The Evolution of Honk.
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Tonearm Alignment Method
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The new “little things” »
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“Zarathustra” amplifier:»
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Micro seiki SX-8000 Air »
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Russian variant amplifier
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The “sounds” that I am l»
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Johannes Brahms - Sympho»
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Position your speakers a»
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Who inherit Mocondo or a»
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About the (secret) rules»
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It's might be anothe»
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Upperbass horns – tone v»
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New speaker system
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JBL 2226 2445 2405 3-way»
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Dubbing LP to digital.
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The ULF cannel for my ne»
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Audio treasure find
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Tschaikowsky, [Violin] C»
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Don't evaluate audio by »
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Yamamura's 6 ways
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Classical events in Boston
APR 11
Benjamin Zander, con»
APR 12
Chamber Music in Nee»
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Magdalene Ho, pianis»
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Classical Music News
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he wasn’t toscanini, but h»
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Composer's Anniversaries
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Ketting, Piet (29 November»
Kurz, Ivan (29 November 19»
Tsabary, Eldad (29 Novembe»
My Audio Leftovers
Korvet “Egg” Tonearm
Altec 515B bass drivers
Hillock TV-2 tube tester
Altec 808A compression »
Stage Acompany SA8535 d»
Sansui TU-X1 Tuner
Rohde & Schwarz MSDC Mu»
Tribute Output Amorphou»
Micro-Seiki Arm Board
Vitavox 330Hz Horn for »
Lamm L2 Reference pream»
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