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End of Life Phonostage
Audio Demoronizator AD-1
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» Transparent horns
» Bach, Brandenburg Concer»
» Tubas and Mc-step
» Preamp/linestage recomme»
» Recording options: Pacif»
» The commercial music ser»
» Lamm L1 vs. L2 preamp
» 6C33C socket types, wher»
» My favorite video clips
» Fuck you, the Shunyata's»
» Focal-Jmlab – the Utopia»
» Chesky Records went &quo»
» Avid Listener --- Stereo»
» Dunlavy SC++ loudspeaker»
» Magico Model 6 loudspeak»
» Get, or made up a tube t»
» Oppo DVD player as a tra»
» Munich High End 2010
» Josh: My visit to Romy t»
» Analog: a reduction of s»
» Magico new 5 ways idea. »
» The Softer Side of a Har»
» Tannoy Red 1960s: some s»
» Oliver Sacks' "Musi»
» Seven hours of live musi»
» Van Cliburn Moscow 1958
» What would be left in au»
» It is all about hard sur»
» Coaxial design
» Tossy Spivakovsky and Tc»
» Japanese Super High Mate»
» Dannoy 2021 Loudspeakers
» Tokyo Opera City Concert»
» THE book on intonation
» The 'Beethoven Test' of »
» Zeus 6C33C Triode SE Pre»
» My playback can’t play l»
» Maxim Vengerov: Encore i»
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Holger Klein's Soundpage»
Radiotron Designers Hand»
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Russian Records
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Vitavox S2/S3 diaphragms
Electro-Voice T350 twee»
Rohde & Schwarz MSDC Mu»
Purist Audio Design Pro»
Fane Studio 8 dual conc»
Mid-range tantrix round»
Altec 808A compression »
Korvet “Egg” Tonearm
Lamm L2 Reference pream»
Kenwood L-02T FM Tuner
Micro-Seiki air-suspend»
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