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» The Shelter 90X: mystery»
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» Short midbass horns
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» How does [Phaseplug Desi»
» Hans Zenders’ orchestrat»
» Eat your heart out, Mr. »
» S2 Hissing Sound
» A quest for a better mon»
» Bach by Ormandy’s Philad»
» Audio and the “Alzheimer»
» If I start High-End Audi»
» Clark Johnsen.
» Disregard the industry p»
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» Audio cabinet of curiosi»
» Today: Rachmaninoff in A»
» Perception of bass?
» Cerebral and psychologic»
» The 'Beethoven Test' of »
» Audio clubs in London, T»
» Absolutely the best audi»
» Ah Mravinsky !
» Super Melquiades Amplifi»
» Thank you, Sir! May I ha»
» "Master Quality Aut»
» Brahms PC #1, Philharmon»
» Michelin horns
» Van Cliburn Moscow 1958
» Gershwin's Rhapsody in B»
» The DSET perspective exa»
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» OK, digitechs, why won't»
» CD horn and JBL: Crossov»
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Art Songs and Librettos
Phil Mundi Audio Pro Med»
DIY SET
Polish GM70 Poject
Louis Speichler's Records
Audio Database
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Arbiter Records
Greg Sando’s Site
Hughs Ominous Tubes
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APR 11 Benjamin Zander, con»
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APR 12 Takács Quartet in Gr»
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Vitavox S2/S3 diaphragms
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Musatex’s Bidat Model "»
Koetsu Onyx Platinum Ca»
Hillock TV-2 tube tester
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Altec 515B bass drivers
Fane Studio 8 dual conc»
Musatex-TP Bidat 20-Bi»
Ortofon Mono CG 25 Di c»
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