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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
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» “Why horns”, years later.
» The nature of "soun»
» Montreal Audio Show 2013
» All Active! A DSET and m»
» Today’s SACD - music for»
» Tolga Kashif's “The Quee»
» Rudolf Barshai conducts »
» How the things are getti»
» Russian mythology and Ho»
» Brahms [piano] Concerto »
» My horn speakers system.»
» What I am doing?
» New here
» Arsenic bacteria & G»
» The Hand Clapping by Fra»
» “How audio might sound”
» Stay home with Bruckner
» Large La or Tratrix horn»
» High-End Audio demo, the»
» Winter storm & Casals
» Omni-directional 'horny'»
» Andre Previn in Boston.
» Why I hate HornResp.
» A proper implementation »
» About Timbre and Audio.
» The cPlay software.
» Ortofon MC Anna cartridg»
» Playback and Perception »
» Audio clubs in London, T»
» The “guest musician opin»
» Boston Philharmonic Mahl»
» Holly Proscenium idiocy!
» My feelings about new ex»
» I think about War lately.
» Aries Cerat Contendo - t»
» Hungarian folded horn
» Classical Music for the »
» Chostakovich: Concerto »
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DaVinciAudio Labs
Conductor’s Corner
The National Valve Museum
Austria's Musical Exiles
Appian Publications & Re»
Berkshire Record Outlet
BachTrack
Olson Acoustical Book
Electron Tube Data sheets
Furtwängler's conserts
Hughs Ominous Tubes
Norman Lebrecht's blog
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Micro Seiki RX-5000
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CEC TL-0 MK2 transport
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