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» The CES's 2011 horns
» We don’t necessarily kno»
» The SACD and the Windows»
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» Why second tonearm/cartr»
» Perspective?
» Windows Based Transport:»
» The Museatex Bidat pages.
» Chesky's violin concerto
» Loudspeakers and headpho»
» Flac 16bit/48Khz streami»
» After-concert download –»
» My CES
» Horns and digital crosso»
» Panel with Peter Qvortru»
» About Moronism in Audio
» Passive line level cross»
» Dedicated horn loaded mi»
» Tweeters: the most misus»
» Help FM Broadcast
» Beautiful Mahler Lieder
» Russian cello festival
» The UnipheyeMusic and St»
» TU-X1 setup
» The Home Theater thought»
» Two channels (tweeter an»
» Is better than Kinetic S»
» Course & guide on ho»
» In interesting new compa»
» New bottlehead dac
» Transparent horns
» Targeted Audio Listening»
» Many Mani's options: My »
» Fantasies about 10Y
» Bahnsen Horns + some fre»
» Does high-sensitivity sp»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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julian bream, maestro of g»
a woman takes the podium a»
he wasn’t toscanini, but h»
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classical music news. diab»
another trump blunder»
from concerts to cartoons:»
classical music livestream»
how to diversify orchestra»
ethel smyth, a composer lo»
classical music attracts o»
‘the lost pianos of siberi»
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it’s (almost) business as »
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leon fleisher, 92, dies; s»
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ESS AMT-1A Heil Air Mot»
Vitavox S2/S3 diaphragms
Lamm ML-2 Single-Ended »
SME M2 - 12" Tonearm wi»
Micro Seiki RX-5000
Purist Audio Design Pro»
Rohde & Schwarz EU-6201»
Electro-Voice T350 twee»
Micro-Seiki air-suspend»
Vitavox AK-15/40 15" ba»
Musatex’s Bidat Model "»
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