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» Rullit Aero-8 driving – »
» Class “D” – the industry»
» Engaging the David Haign»
» The jump-start of loudsp»
» Micro Seiki SX777 Air Re»
» Altec Model 19 in Boston.
» Macondo's Axioms: Horn-l»
» About playback and messa»
» It takes balls to shop (»
» The Dark Hope of Renee F»
» Mystery Horn ? ? ? anyon»
» Dubbing LP to digital.
» Get, or made up a tube t»
» Sound of line level filt»
» 23Hz mono horn project.
» Magico: biological minde»
» I think it is the end.
» Boston and Liszt’s Secon»
» Some analysis of the Joe»
» The Thomas Blumenhofer’s»
» Russian mythology and Ho»
» A new beast from JBL: Ev»
» ESS Connoisseur: a sensi»
» The best audio product o»
» A primer on high-end mar»
» Analog is Back 2011: Wav»
» Midrange driver suggesti»
» Rendezvous Mit Richard T»
» Who builds horns?
» The last message of audi»
» DVD for pop, SACD for cl»
» Problems with horns: mid»
» New Motor for an Old Sot»
» Any recommendations?... »
» Choice of Fireware Inter»
» Here's what's REALLY wro»
» Anybody using vacuum hol»
» Chinese upperbass horn.
Bookmarked are red
Unofficial Vitavox Site
Radiotron Designers Hand»
Tubecad publication
Loudspeaker Designer's G»
OperaGlass
Classical Composers
Eugene Ormandy Pages
WGBH's “Keeping Score”
The National Valve Museum
Great Plains Audio
Furtwängler's conserts
Hughs Ominous Tubes
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Altec 515B bass drivers
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Sansui TU-X1 Tuner
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