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End of Life Phonostage
Audio Demoronizator AD-1
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» The “theories” about the»
» RIAA pole two = 501,12 Hz
» Baseline measurements an»
» Digital recorders: what »
» Mr. Kleen Stylus cleaner
» Ah, Michelangeli...
» My new horn systems
» Bass impact on Turntable»
» A world class deaf percu»
» Motion Picture Sound
» How many channels does a»
» Horn high-sensitively ar»
» 3012, 312, M2-12 or ... ?
» The realty of UHF and LF»
» Playback and operation o»
» The CD players must read»
» Oistrakh(s) on Monitor M»
» A request to all posters»
» A fundamentally faulty J»
» About the tweeters phase»
» High-End Audio. The thir»
» Electronluv systems ques»
» “Get Better Sound” by Ji»
» The nature of "soun»
» Small double bass horn f»
» Some thoughts about bass»
» Some evidence for the ch»
» Benz Gullwing and Hi all
» Open cell foam in horns »
» Sandisk Sansa Clip +
» Orion Phono Preamplifier
» Goodbye to EMI?
» To drive the 6C33C...
» K-Stereo Ambience Recove»
» Cessaro Gamma II and Ome»
» The great pianist Earl W»
» Le C'leach horn rear cha»
» Electro-Voice Tweeter an»
Bookmarked are red
Stereopal
Professional Audio Calcu»
OperaGlass
Dazy Web Labaratory
Technical books online
Haenssler Classic
Archives of Canada
The Music Parlour.
Adnan Arduman's site.
Sound Tourism
Vintage EV speakers
Qualiton
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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Micro-Seiki MAX-282 To»
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Lamm ML-2 Single-Ended »
Koetsu Onyx Platinum Ca»
Conscience of audio rev»
Micro-Seiki Arm Board
Pacific Microsonics Mod»
Mid-range tantrix round»
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