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End of Life Phonostage
Audio Demoronizator AD-1
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» The “sounds” that I am l»
» Remastering (and re-loca»
» A revolution for Executi»
» Jonathan Valin smokes La»
» Bruckner 8, the document»
» Tidal’s Music Streaming »
» Why people still sell co»
» The Berlin Philharmonic »
» Joaquin Rodrigo’s “Conci»
» To play my 88/24 files o»
» Antenna diversity system»
» Czech Republic's Audio
» Non-MDF horns
» Swing hornspeaker of bd-»
» (monitor vs hifi speaker»
» Do the Filament Transfor»
» Another time aligned 5-w»
» Mid-bass Hornresp (V51.3»
» My Audio "Reviewing»
» Some Observations about »
» The Avicenna's failure i»
» "O Vitavox, Vitavox»
» The last message of audi»
» An Interview With Dr. Br»
» Write your own ploy of t»
» Coconut
» Why GOTO do not care abo»
» About rationalism of twi»
» The pianist Yuja Wang … »
» Suggested target curves »
» A new beast from JBL: Ev»
» Micro Seiki SX777 Air Re»
» How to give bats a heada»
» “Why horns”, years later.
» My Analog Playback: the »
» Children's playground in»
» The Yevgeny Mravinsky Fi»
» Bye-bye Studer…
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Wolds Opera Broadcasts
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MetManiac Opera Archive
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Twogoodears' Blog
Boston Philharmonic Orch»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Vitavox 330Hz Horn for »
CEC TL-0 MK2 transport
Electro-Voice T350 twee»
Kenwood L-02T FM Tuner
SME M2 - 12" Tonearm wi»
Mid-range tantrix round»
Rohde & Schwarz MSDC Mu»
Altec 808A compression »
Micro-Seiki air-suspend»
Hillock TV-2 tube tester
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