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End of Life Phonostage
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» Bruckner at 24bit.
» A horn workshop
» How to play mp3.
» A quests for an ultimate»
» “They either adore me or»
» Brilliant audio Quotes.
» Gershwin's Rhapsody in B»
» OK, digitechs, why won't»
» Electrostatic Sub Horn
» Plaishner 3-way speaker.
» The corrupted listening »
» Position your speakers a»
» How High-End Audio can b»
» A good PF articles about»
» Bruckner 9 live in 30 mi»
» The low-power SET and de»
» What lives in Symmetric »
» Why I do not like the &q»
» Koussevitsky and La Mer
» Esther Kim. What did you»
» A new generation of full»
» About playback and messa»
» Another electromagnet dr»
» TAS article: start of th»
» Bermuda Triangles of Aud»
» A revolution for Executi»
» New York Times family ki»
» Vitavox’s S2 Survival Gu»
» New superlative horn bui»
» Audio Covid and some hom»
» About cost of electromag»
» Should I low pass the mi»
» The Macondo’s Upper Bass»
» Melq 6e5p driver stage f»
» Performers
» A quantum CD?
» How to give bats a heada»
» Computer Audio
Bookmarked are red
Ron Penndor's Recollecti»
Seen and Heard
John Lenard Burnett's si»
Vintage Audio Trader
WGBH's “Keeping Score”
Classical Composers
The Victor Victrola Page
Thomas Dunker's Site
Jim Moskowitz's Unknown »
Rachmaninoff Society
Pjay's Speaker building »
FM Radio Query
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Musatex-TP Bidat 20-Bi»
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Hillock TV-2 tube tester
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