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End of Life Phonostage
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» NASA Reverberant Acousti»
» The mystery of AmpX
» Volti Audio's Vittora
» Great Cello Concertos
» New audiophile download »
» What TRULY high-audio p»
» Additive capacitance: mi»
» Audio and the “Alzheimer»
» 12AX7 or?
» Satisfying result: the R»
» New Barenboim’s Bruckner»
» Watching conductors of t»
» About audio hoarding
» The open project: a late»
» Czech Republic's Audio
» Music and Arts' Spring.»
» Do not “compare” audio e»
» A proper implementation »
» Very in depth considerat»
» Yep, Bach would do it….
» RIAA pole two = 501,12 Hz
» Lecture on history of ar»
» Short midbass horns
» How to record FM broadca»
» Matching Playback Method»
» Input choke for Low Curr»
» Engaging the David Haign»
» The new CEC TL1 transpor»
» It is imposable to “hear»
» A Simple Question (or 3)»
» Audiotism: cable elevato»
» An interesting Russian p»
» DA architecture: True M»
» Universal VTA adjustment.
» Help: Building a Melquia»
» Shostakovich’s 100th bir»
» Looking to brainstorm st»
» It’s mad, mad, mad... e»
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Hi-Fi Speakers Design
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Joachim Raff Society
Archives of Canada
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BostonSymphony's Channel
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Wolds Opera Broadcasts
Hub Arts
Martha Argerich Site
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Micro-Seiki Arm Board
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Korvet “Egg” Tonearm
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Sansui TU-X1 Tuner
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