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» Like colourful contrasts»
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» Bach Piano Concertos, 1,»
» The UnipheyeMusic and St»
» Saying goodbye to the di»
» The best practices for D»
» “FM live” file exchange »
» Myth: High-efficiency L»
» The Absolute Sound of Au»
» The Shelter 90X: mystery»
» Midbass Horns and Real E»
» How to start Classical M»
» The Thomas Blumenhofer’s»
» Amplifiers heat… a real-»
» Myth of CD clocking = Tr»
» Alicia De Larrocha, Bach»
» Aporia - Silbatone Acous»
» My new horn systems
» The RCA’s 6C33C sockets?
» Lamm ML2.0 & Lamhorn»
» My site and Your expecta»
» Kitties go to London
» Pacific Microsonics Mode»
» Sony Blu-spec CD audio f»
» Relief from micro-arcing»
» If you’re multiamping th»
» Practical Guide for Back»
» The Tenor amplifier and »
» Violin Concertos
» Samuel Feinberg's Well-T»
» Tweeters for Altec 420y »
» A CD player of today… 20»
» Gas voltage reference 0A»
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» Brahms PC #1, Philharmon»
» The single-ended pretens»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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julian bream, maestro of g»
a woman takes the podium a»
he wasn’t toscanini, but h»
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classical music news. diab»
another trump blunder»
from concerts to cartoons:»
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how to diversify orchestra»
ethel smyth, a composer lo»
classical music attracts o»
‘the lost pianos of siberi»
5 minutes that will make y»
it’s (almost) business as »
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Henry, Pierre (9 December »
Steinecker, Anton (9 Decem»
Vitavox AK-15/40 15" ba»
Vitavox 330Hz Horn for »
Altec 808A compression »
Micro-Seiki MAX-282 To»
CEC TL-0 MK2 transport
“Tree Blind Mice” colle»
Altec 515B bass drivers
Sansui TU-X1 Tuner
Musatex’s Bidat Model "»
Stage Acompany SA8535 d»
Korvet “Egg” Tonearm
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