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» Audiotism: cable elevato»
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» The Nimbus' Prima Voce b»
» Tell me about more about»
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» The nature of "soun»
» The elusive “absolute to»
» The essence of High-End »
» The Shielding Condoms on»
» Not new, but VERY intere»
» Midbass injection channel
» The experiments with rem»
» What I am doing?
» It’s mad, mad, mad... e»
» The remarkable moments i»
» ULF: where is the border»
» Romy's Phone Rings
» The IDEAL horn system
» Here's what's REALLY wro»
» Tape Machines
» An interesting Russian p»
» Van den Hul 's Grail
» Accidental death music.
» Sub-woofer integration w»
» What to read in audio?
» How is Leak tl 25 differ»
» Reinforced live sound in»
» Another Boston Radio Sta»
» Ever thought about how m»
» My Audio "Reviewing»
» Avid Listener --- Stereo»
» New audiophile download »
» Summary: my/your audio: »
» Technology and Ideation;»
» About Wilson Audio Louds»
» Another "Top five t»
» October surprise. NY, NY»
» A Moscow setup with Horn»
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Japanese Translator
Input Choke & Resonant C»
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Electron Tube Data sheets
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Vladimir Lamm Site
Musical Instrument Jokes
Phil Mundi Audio Pro Med»
Dolmetsch Online
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Russian Music in 20th Ce»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Pacific Microsonics Mod»
Altec 808A compression »
Fane Studio 8 dual conc»
Vitavox AK-15/40 15" ba»
Musatex-TP Bidat 20-Bi»
Vitavox AK151 15" bass »
Sansui TU-X1 Tuner
ESS AMT-1A Heil Air Mot»
Altec 515B bass drivers
Vitavox S2/S3 diaphragms
Micro Seiki RX-5000
More Leftovers »»