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» Some thoughts about bass»
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» The Avicenna's failure i»
» The “Right of Spring” – »
» Alternative driver for W»
» Wilsons, EMM, Ozawa, Sa»
» Altec cabinet: 815a
» Brahms [piano] Concerto »
» If you were to start fro»
» VTL TL-7.5 Reference: Hi»
» If you’re multiamping th»
» JBL2440 on a round 300Hz»
» Any good sounding AES/EB»
» Re-set Martha Argerich!
» Rachmaninoff’s Symphony »
» True High-End Audio: Ant»
» Audiophile Re-issues: Wh»
» Romy the Cat’s Audio Hom»
» How much does it cost to»
» Who the hell is this int»
» I can't wait to read the»
» Why second tonearm/cartr»
» Excerpt: Beethoven Cello»
» Software for collection »
» Rachmaninoff Piano Conc»
» ESP Concert Grand SI Lou»
» Loudspeakers and headpho»
» New Lynx A/D and D/A pro»
» Stage Music: get clew.
» Solid state revisited
» Antenna Cable Connection
» Where high-end audio sta»
» Something that a loudspe»
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Vladimir Lamm Site
Koussevitzky & BSO
Takashi Asahina Group
Audio Perfectionist
Lenard's Opals monitor
Exotic Audio
Seen and Heard
Duntech Audio loudspeake»
Avie Records
Ron Penndor's Recollecti»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Lamm ML-2 Single-Ended »
Micro Seiki RX-5000
Altec 808A compression »
Stage Acompany SA8535 d»
Korvet “Egg” Tonearm
Altec 515B bass drivers
“Tree Blind Mice” colle»
CEC TL-0 MK2 transport
Micro-Seiki Arm Board
Lamm Industries M1.1 Mo»
Purist Audio Design Pro»
More Leftovers »»