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» It was seventy years ago»
» Mid Bass horns help with»
» The absolutely “best” ma»
» About the tweeters phase»
» Sub-woofer integration w»
» Metropolitan Opera 2009-»
» Lab JC
» Macondo listening experi»
» Tonearm Alignment Method
» Focal-Jmlab – the Utopia»
» Justification of Buying »
» A quest for a better SET.
» Universal VTA adjustment.
» You Can Play the Record,»
» What is wrong with Dipol»
» ULF: where is the border»
» Ravel's String Quartet; »
» The Color of Bass
» From bad Opera to good O»
» I have a dream, the drea»
» The Trout - Perlman, Ba»
» Computer Audio
» Align your FM tuners!
» Bach's performing space.
» Modifying TAD 2404
» How do you position your»
» The Rafael Kubelík'»
» Do curved corners help???
» A strange urge.
» S2 Hissing Sound
» Creative listening
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Lamm ML-2 Single-Ended »
Purist Audio Design Pro»
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Electro-Voice T350 twee»
Altec 515B bass drivers
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Micro-Seiki air-suspend»
Ortofon Mono CG 25 Di c»
Micro-Seiki Arm Board
Vitavox S2/S3 diaphragms
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