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Audio Knowledge Tree ™
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Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Conductors and Audio Sou»
» Chesky's violin concerto
» Audio-tekne's "Tone»
» Ludwig van Beethoven &qu»
» Cobbett
» I think it is the end.
» High-End Audio, DPoLS -»
» Romy...thoughts on Lamm »
» Dedicated Music Room Bui»
» True High-End Audio: Ant»
» It's might be anothe»
» Rach’s Prelude in C-shar»
» Future of high-end audio
» Sony Blu-spec CD audio f»
» Dannoy and oxytocin...
» About rationalism of twi»
» Reflex enclosures used a»
» An idea of “Rain Wake-Up»
» Audiophile Re-issues: Wh»
» How to sell high-end aud»
» Yarlung Records at 24 bi»
» Johannes Brahms - Sympho»
» Mitigating Undesired Hig»
» Editing your own posts
» The Mozart’s Dorabella a»
» The tools to listening s»
» Micro Seiki SX 111FV Pla»
» Who owns what in FM
» Help: Building a Melquia»
» Why I hate HornResp.
» Tape Machines
» An interesting TT link: »
» What are the effects of »
» Passive line level cross»
» About the tweeters phase»
» SME M2-12 tonearm
» National Youth Orchestra»
» High End Audio and music»
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AUG 1 Chamber Music in Bru»
AUG 2 CASSATT STRING QUART»
AUG 2 Elim Chan, conductor»
AUG 3 Fiddlers Four in Gre»
AUG 3 TCHAIKOVSKY 5 in Bos»
AUG 3 Chamber Music in Woo»
AUG 3 Inbal Segev, cellist»
AUG 3 Gryphon Trio in Rock»
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Vitavox S2/S3 diaphragms
Mid-range tantrix round»
Ortofon Mono CG 25 Di c»
“Tree Blind Mice” colle»
Altec 515B bass drivers
Fane Studio 8 dual conc»
Purist Audio Design Pro»
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Rohde & Schwarz MSDC Mu»
Micro-Seiki air-suspend»
Musatex’s Bidat Model "»
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