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» The Dog eat my CDs.
» Kharma Speakers as pH-in»
» New superlative horn bui»
» Small SET’s bass, beside»
» Things to look out for w»
» Truly a new use of high-»
» Macondo’s lowest channel.
» Where high-end audio sta»
» Universal VTA adjustment.
» High Quality Music Serve»
» Equalizer? Hm…
» Digital Voicing
» Andre Previn in Boston.
» Dream Hi-Eff Speakers fo»
» 3.5m Tractrix Horn Proje»
» High-End Audio vs. High-»
» High-End Audio Bass: wha»
» High-End Audio: buy vs. »
» A DSET is better then an»
» About DSET-driven multi-»
» Single Driver speakers
» The “Melquíades” d&»
» Brahms' Magelone Songs
» FM Acoustics: The most i»
» I do not know what else »
» Macondo vs. the “industr»
» Richard Wetz and Martin »
» A different breed of 6C3»
» Accidental death music.
» Dannoy and oxytocin...
» Hiroyasu Kondo: “My thou»
» First Bruckner listening»
» Stupid SME question abou»
» Rachmaninoff, PC 3; Kond»
» Rod Poole 1962-2007
» A big subwoofer vs. an a»
» Tree motors from one sid»
» An amplifier for Tweeters
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Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
How many Bits needed for FM, the Accuphase T1000 dilemma. 6266 
What Makes For Good FM? 6266 
Some comments. 6266 
Real world 24 bit recording 6265 
The Bits numbers are fake in a way. 6265 
Some other excellent thought on the subject. 6265 
The Spider in the Bromeliad 6265 
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