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Random Site's Threads
» The new CEC TL1 transpor»
» The Foolishness of Analo»
» Sound is like a proverbi»
» Additive capacitance: mi»
» Beethoven IX and Fü»
» Tchaikovsky’s “Pathetiqu»
» How to select mid/upper »
» About the tweeters phase»
» THE Show, 2016
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» The WHRB Wagner’s Ring C»
» Yamaha B-2 V-FET amplifi»
» Macondo Frame modificati»
» Prices in High-End Audio.
» My new horn systems
» Yamamura's 6 ways
» Oliver Sacks' "Musi»
» Conclusions on my Home a»
» Rachmaninoff PC 2: Conce»
» Vendors’ Egos.
» Bad orchestras shell not»
» NOhorn channel for “the »
» Drama vs. Chic
» Suggested target curves »
» S2 Hissing Sound
» Boston and Bruckner
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» Sound Quality and “Elect»
» The elusive “absolute to»
» Should I low pass the mi»
» What is the best or rule»
» Playback evaluations mad»
» Dedicated horn loaded mi»
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» Macondo listening experi»
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Inner Groove Distortion - Your experience? 6226 
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Classical events in Boston
APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
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Composer's Anniversaries
Capricornus, Samuel Friedr»
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Fibich, Zdenek (21 Decembe»
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Champagne, Claude (27 May »
Nassi, Thomas (2 March 189»
Zappa, Frank (21 December »
Henneman, Ig (21 December »
Camilleri, William (21 Dec»
Zagar, Peter (21 December »
My Audio Leftovers
Fane Studio 8 dual conc»
Musatex-TP Bidat 20-Bi»
Micro Seiki RX-5000
Musatex’s Bidat Model "»
CEC TL-0 MK2 transport
Vitavox S2/S3 diaphragms
Vitavox S2 Compression »
Micro-Seiki MAX-282 To»
Rohde & Schwarz MSDC Mu»
Korvet “Egg” Tonearm
Electro-Voice T350 twee»
More Leftovers »»