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The audio preview of the audio part of my Book

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Melquiades SET Amplifier
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End of Life Phonostage
Audio Demoronizator AD-1
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» Reading an official audi»
» True High-End Audio: Ant»
» Headphone amplifiers. Ba»
» “Zarathustra” amplifier:»
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» Romy's Multi-cell Horns »
» High End 2012 in Germany
» The “Inverted High End A»
» What I am doing?
» Meyer X-10
» The most emblematic reco»
» Starting from scratch - »
» It's might be anothe»
» Dick Burwens "low c»
» The "Nubianco"»
» Apple helped kill FM...a»
» What a trip 30 years bac»
» Understanding Line Array»
» High-End Audio Bass: wha»
» Tweeters: the most misus»
» Okada’s installation.
» I wonder if this crap is»
» “Tool” for Morons ™: Bla»
» The loudspeakers for a p»
» About bass horns by Joha»
» Bach and kids…
» A phenomenal find: Garvi»
» Swing hornspeaker of bd-»
» Passive transformer base»
» Computer Audio - like ev»
» Configuration from Italy»
» New Sonus Faber
» Accidental death music.
» Interesting use of Lunda»
» The realty of UHF and LF»
» The evenings with Greate»
» The Second stereo arm pr»
» Munich 2017, Avantgarde »
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
Mid-bass Hornresp (V51.30) simulations 1904 
You will never know until you try! 1902 
Rowuk is right,,,, 1902 
Some boring design philosophy. 1901 
140 vs 110 hz horns 1897 
140 vs 110 Hz horns 1880 
140 vs 110 hz horns 1861 
John Inlow has the answer to your question 1861 
Stay away 1861 
"advice" 1860 
What is so hard? 1859 
Sometimes SPL is just SPL ... 1859 
But size does matter 1858 
DSP? 1858 
We have to separate the "path to" and "arriving" 1858 
Depends.... 1857 
MF trick 1857 
A "Key" Insight 1857 
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