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Random Site's Threads
» A great OPT resource page
» Musicians' ear
» Altec Model 19 in Boston.
» Back chamber
» Contact-free volume cont»
» Absolutely the best audi»
» Understanding Line Array»
» The nature of "soun»
» 3012 silicon dumping
» Object-oriented audio re»
» It was seventy years ago»
» It is imposable to “hear»
» Baseline measurements an»
» Tannoy Red 1960s: some s»
» The “Dead Points of Live»
» A random neutralness
» PS Audio's digital appro»
» First Bruckner listening»
» How to waste $25.000.00
» How Mussorgsky should so»
» Recording/Playback softw»
» Reading an official audi»
» “Harmonic Speed”- friend»
» How idiots destroy sound.
» For one day only
» The 68 dipoles imitation»
» Hans Deutsch active acou»
» The Brain Inertia.
» The contemporary pressin»
» A very good horns system.
» An air compressor and TT.
» Marantz MA-9S2 Monoblock»
» Amplifiers heat… a real-»
» I need a “second-type” p»
» SPUnisation of Macondo: »
» A full-range driver = C»
» Hmmm... the sad truth ab»
» Wich melquiade?
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Classical events in Boston
APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
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APR 17 In Search of New Wor»
NPR Classical Programs
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a woman takes the podium a»
he wasn’t toscanini, but h»
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Composer's Anniversaries
Geminiani, Francesco (5 De»
Fasch, Johann Friedrich (1»
Mozart, Wolfgang Amadé»
Novak, Vitezslav (5 Decemb»
Bosmans, Henriëtte (5»
Hartmann, Karl Amadeus (2 »
Weisgarber, Elliot (5 Dece»
Tarmakov, Roussi (5 Decemb»
Golijov, Osvaldo (5 Decemb»
Wong, Yoke Cheng (5 Decemb»
My Audio Leftovers
Micro-Seiki air-suspend»
Micro-Seiki Arm Board
Musatex-TP Bidat 20-Bi»
Vitavox 330Hz Horn for »
Tribute Output Amorphou»
Sansui TU-X1 Tuner
Electro-Voice T350 twee»
Koetsu Onyx Platinum Ca»
Vitavox AK-15/40 15" ba»
Kenwood L-02T FM Tuner
Conscience of audio rev»
More Leftovers »»