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The audio preview of the audio part of my Book

Audio Knowledge Tree ™
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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
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» A different type of uppe»
» Macondo and ALE drivers,»
» Audio and Music: four le»
» About DSET-driven multi-»
» The path of simplificati»
» The open project: a late»
» The commercial music ser»
» The “Dead Points of Live»
» CEC TL0 3.0 trasport
» Is horn a natural shape?
» Atkinson vs. Tektronix: »
» Vincent Brient’s playbac»
» The Estonian idiocy: Est»
» The foolishness of multi»
» "Consensus in audio»
» The high-end audio, as i»
» How to make a speaker dr»
» The ultimate worst best »
» Some Horns propaganda
» The pianist Yuja Wang … »
» Tannoy Red 1960s: some s»
» S2 Hissing Sound
» A great conductor - but »
» A Plasma Tweeter made in»
» It is about timbres, stu»
» Nicolai Golovanov
» Beethoven's Triple Conce»
» Macondo 2.0?
» The Jeff Day’s Westminst»
» I am not a Nostradamus, »
» How we "think"»
» About the ownership of a»
» Bach's Cello Suites
» Surprising: the most int»
» Jaap van Zweden kicks as»
» The A=432 Hz Frequency
» Antenna solutions for FM
» The ultimate buffer – li»
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Phil Mundi Audio Pro Med»
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Russian Music in 20th Ce»
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Why second tonearm/cartridge does not sound like first one? 5539 
Very simple 5539 
I kind of wonder why? 5535 
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