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» A longer turntable belt.
» What you folks got for B»
» The FM Radio. What a Hel»
» Horn loaded ribbons and »
» Discovered a great chora»
» Contributing factors in »
» How to make a playback t»
» What TRULY high-audio p»
» More Gieseking!
» Preamplifiers: keys to m»
» Someone is DSETing, it s»
» The nature of "soun»
» Label or map it religiou»
» Why David Robertson does»
» Curiosity about others. »
» The 60-inch LF driver.
» Plaishner 3-way speaker.
» Speakers: a hi-fi disast»
» Low output MC?
» Micro Seiki SZ-1T
» Help with Math needed.
» Meyer X-10
» Steve Leung, Cartridge W»
» Class “D” – the industry»
» FM and live real-time br»
» Macondo’s lowest channel.
» Macondo's Axioms: Horn-l»
» Chesky Records went &quo»
» Midbass Horns and Real E»
» Playback and Perception »
» Swing hornspeaker of bd-»
» 4-way horn system Prelude
» That is not 1812 and the»
» The not-so-big listening»
» A synonym of audio revie»
» Micro SX8000I: noisy pum»
» John Luther Adams's Beco»
» Le Poeme Harmonique
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Exponential/Hyperbolic C»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Getting more power from SET vs. properly distorting SS. 5341 
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