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» The “Dead Points of Live»
» The corrupted listening »
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» Why people still sell co»
» The Bruckner 5 by Benjam»
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» Canadian Speaker Proposal
» EAR Yoshino DAC 4 by Tim»
» Schimmel's Voxativ Ampeg»
» Swing hornspeaker of bd-»
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» Suggested target curves »
» Appearance of listening »
» Mravinsky/Leningrad from»
» Bad, bad, bad 1812 Overt»
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» About Stupid Dynamic
» Live memories of Live br»
» Vasily Petrenko in Bosto»
» CD Is Dead. CD Is Dead?
» Micro Seiki, tonearm,car»
» Stage Music: get clew.
» Copper Mat on a Micro Se»
» Audio and the “Alzheimer»
» Analog: a reduction of s»
» Maria Callas’s Glory Day»
» Dream Hi-Eff Speakers fo»
» NAT Audio Magna -160 Wat»
» The Art of Pablo Casals,»
» Ludwig van Beethoven &qu»
» Wet/Dry ™ configuration »
» Radiation patterns match»
» Do not reproduce extreme»
» BW Broadcast RBRX Encore»
» An angry engineer...
» “A” sound from “B” syste»
» Stravinsky and Headphone»
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Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
How to play Bruckner Sound in Audio. 5063 
Shaping sound 5063 
Persian dynamics 4878 
This is ridicules! 4597 
About me being a full of shit. 4591 
Playback: Bruckner vs. Mahler. 4489 
My Bruckner 4483 
Nothing else but Bruckner? 4439 
Furtwangler B8, 1944 4403 
Abbey Road engineer Simon Gibson on remastering Furtwangler 4402 
The shaking Bruckner. 4397 
The Baffling Case of Anton Bruckner 4391 
Bruckner as audio anti-idiocy tool. 4387 
I beg not to differ with you! 4386 
The Thomasmobile and Wand 3125 
Good story, good news. 3125 
Being a pedagogical geniuses… 3124 
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