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» An objective tool to tra»
» Audio Shopping vs. Piano»
» Building “Zarathustra II»
» My Koshka is meowing
» Compression drivers and »
» Reel-to-Reel Tape vs. Ra»
» High-End Audio and ... c»
» Be careful: Imaging vs. »
» Justification of Buying »
» CEC TL0-X: by no means a»
» NOhorn channel for “the »
» "Consensus in audio»
» How does [Phaseplug Desi»
» Audiotism: cable elevato»
» The BEST bass cable?
» High-End Audio: buy vs. »
» Martin-Logan, Myles Asto»
» Make your own horns?
» An interesting read abou»
» Tuuubes - where are the »
» ... and some Bruckner bu»
» Winter storm & Casals
» An interesting TT link: »
» Yep, Bach would do it….
» About Harry Pearson lega»
» Hässler sonata: Gra»
» Lamm’s new phonostage.
» Ca(r)t before the horse:»
» The wonderful Alisa Weil»
» Software for collection »
» A complex Audio Question
» Learn to listen your lis»
» A strange urge.
» About Wilson Audio Louds»
» Vitavox S2 coupling
» SCAM! Horn - Academy Phi»
» About reviewer’s qualifi»
» Cogent+Electronluv+Acape»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
Listening rooms and composers. 5603 
Rooms can serve music or composers 5602 
Many hypotheses avalabvle…. 5602 
Rooms and Composers 5602 
A perfect summation, not I it nice to dig into reasons 5602 
Longitudinal Well-Tempered Klavier 5601 
The typewriters concertos! 5601 
Glenn Gould Explains Room's Effects 5588 
This is very interesting subject: the cure of audio anti-Brucknerism 5588 
Is This Something You'd Like to Change? 5588 
Size Deficiency and Lack of Interest (musically, of course) 5587 
Mid-bass Deficiency? 5587 
The Dreaded Square Room 5587 
Bruckner as the final test 5585 
About regular listening vs. The Listening. 5584 
On "typewriter music". 5582 
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