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» A complex Audio Question
» Depicting and Visualizin»
» Orphean horns of bd desi»
» Ravel's String Quartet; »
» Micro Seiki SZ-1T
» The sound of Concert Hal»
» The commercial music ser»
» Good midbass is complica»
» Computer Audio - like ev»
» Cellist Daniel Müll»
» A truly cool solution fo»
» The Church of Denon 103C
» Submerging deeper into A»
» Clark Johnsen.
» Where the Horns Light is»
» Suggested target curves »
» An unexplored way to dea»
» Trash your “full-rage”, »
» The realty of UHF and LF»
» A better way of approach»
» Beware of the "dipo»
» VTL TL-7.5 Reference: Hi»
» Antenna solutions for FM
» Expressive Technologies »
» Gaussmeter wanted.
» Ludwig van Beethoven &qu»
» Don’t "use" VTA
» About moronity of DIY Au»
» The new CEC TL1 transpor»
» Earl Geddes: I can't her»
» Mravinsky/Leningrad from»
» “Why horns”, years later.
» My old Fi-Hi gear associ»
» Matching audio to music:»
» Starting from scratch - »
» A Plasma Tweeter made in»
» Sensible record cleaning»
» Günter Wand Intervi»
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Exponential/Hyperbolic C»
Robert Greene’s "Reg on »
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
Listening rooms and composers. 5690 
Rooms can serve music or composers 5689 
Many hypotheses avalabvle…. 5689 
Rooms and Composers 5689 
A perfect summation, not I it nice to dig into reasons 5689 
Longitudinal Well-Tempered Klavier 5688 
The typewriters concertos! 5688 
Glenn Gould Explains Room's Effects 5675 
This is very interesting subject: the cure of audio anti-Brucknerism 5675 
Is This Something You'd Like to Change? 5675 
Size Deficiency and Lack of Interest (musically, of course) 5674 
Mid-bass Deficiency? 5674 
The Dreaded Square Room 5674 
Bruckner as the final test 5672 
About regular listening vs. The Listening. 5671 
On "typewriter music". 5669 
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