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Random Site's Threads
» Vendors’ Egos.
» SME M2-12 tonearm
» The experiments with rem»
» Riccardo Muti and Chicag»
» And a Bruckner 8 the day»
» A great conductor - but »
» Orion Phono Preamplifier
» A tribune to Transient E»
» Ortofon MC Anna cartridg»
» Boxed in horns
» Bruckner 8, the document»
» About the pre-warming of»
» THE Stargazer
» Making it sing...
» The "Nubianco"»
» The Sound assessment rec»
» National Youth Orchestra»
» Chicago Lyric Opera on W»
» The tales of two phonost»
» Brahms, "Liebeslied»
» Summary: my/your audio: »
» Looking to brainstorm st»
» Idler Drive - Rumbling I»
» I have a dream, the drea»
» The ultimate buffer #2..»
» Matching audio to music:»
» Revisiting DSP
» About speakers Imbedded »
» "Something is rotte»
» Accuracy vs. Musicality »
» JBL2440 on a round 300Hz»
» Vasily Petrenko in Bosto»
» Purist Audio Design vs. »
» More about the EdgarHorn»
» Alessandro Baricco's &qu»
» Corresponding With Carlo»
» Another (outdoorsy) swea»
» Anything wrong with wide»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
Listening rooms and composers. 5390 
Rooms can serve music or composers 5389 
Many hypotheses avalabvle…. 5389 
Rooms and Composers 5389 
A perfect summation, not I it nice to dig into reasons 5389 
Longitudinal Well-Tempered Klavier 5388 
The typewriters concertos! 5388 
Glenn Gould Explains Room's Effects 5375 
This is very interesting subject: the cure of audio anti-Brucknerism 5375 
Is This Something You'd Like to Change? 5375 
Size Deficiency and Lack of Interest (musically, of course) 5374 
Mid-bass Deficiency? 5374 
The Dreaded Square Room 5374 
Bruckner as the final test 5372 
About regular listening vs. The Listening. 5371 
On "typewriter music". 5369 
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