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Curiosity about others. »
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Audio and the “Alzheimer»
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What drives good sound?
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Polarity Tester – a must»
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Calamine Lotion From Tec»
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Polish Chamber Choir - S»
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Ways to use audio method»
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What about 220V 50Hz?
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What to do in office?
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Sansui TU-X1 Broadcast m»
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George Orwell and loudsp»
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Prices in High-End Audio.
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Analog vs. Digital... wi»
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The European Triode Fest»
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Alessandro Baricco's &qu»
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Brahms PC #1, Philharmon»
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The Dog eat my CDs.
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Yamaha 6681B
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About beauty and uglines»
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The Sound assessment rec»
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BD-Design’s Orelino
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Crash course on horns an»
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Constant directivity = c»
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Focal-Jmlab – the Utopia»
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Beethoven PC 5 Surprise »
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Hideous American operas.
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Deep End DIY - Austral»
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First Bruckner listening»
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Time Alignment : Live Pe»
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The dynamic range of our»
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Wide dispersion horns
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S3 on tractrix 260 graph.
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Live memories of Live br»
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EMI rollercoaster across»
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7788 tube mic pre design
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An interesting Russian pnonocorrector.
5577
Novel MM corrector
5576
The kinky Russky phonostages
5576
Inductance cartidge equalisation what?
5575
No claims about sonic advantages of this method.
5575
The same corrector from the same site.
5575
Corrected corrector...
5574
Why do not use this method on DSETs?
5574
Interesting in 2-D
5574
Uber-tweeky phono topologies deconstructed
5574
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Classical events in Boston
AUG 1
Chamber Music in Bru»
AUG 2
Elim Chan, conductor»
AUG 3
Fiddlers Four in Gre»
AUG 3
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My Audio Leftovers
Electro-Voice T350 twee»
Musatex’s Bidat Model "»
Micro-Seiki air-suspend»
Vitavox AK-15/40 15" ba»
Kenwood L-02T FM Tuner
SME M2 - 12" Tonearm wi»
REL Precedent 646C tuner
Mid-range tantrix round»
Micro-Seiki Arm Board
Musatex-TP Bidat 20-Bi»
Stage Acompany SA8535 d»
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