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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
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» The new “little things” »
» Kevin Brooks Acoustic Sy»
» T.H.E. Show, Newport, 20»
» Crossover or non-crossov»
» Brahms [piano] Concerto »
» Rachmaninoff Piano Conc»
» Melq 6e5p driver stage f»
» Munich High End 2010
» Sauna and Audio
» A world class deaf percu»
» Melquiades (D-Set) parts»
» GoodSoundClub – one year»
» Altec Model 19 in Boston.
» RIP Henryk Mikolaj G»
» It is about timbres, stu»
» Neumann Dummy Head.
» Horn Enclosures & &q»
» The absolutely “best” ma»
» Musicians' ear
» Audio Sonar Acoustic Lev»
» My favorite video clips
» Tweeters for Altec 420y »
» The decentralization and»
» Midbass injection channel
» The Second stereo arm pr»
» High Pass Inductors
» Vitavox corner horn
» An air compressor and TT.
» SME M2-12 tonearm
» Where are the full-funct»
» What are the effects of »
» How High-End Audio can b»
» The great pianist Earl W»
» A listening room for a d»
» 'Ideal' ceiling height? »
» Playback and chamber mus»
» What is wrong with the A»
» Conchita Supervia
Bookmarked are red
Koussevitzky & BSO
Austria's Musical Exiles
Dolmetsch Online
Truesound Transfers
Max Robinson’s “Fun With»
Hub Arts
GEMM catalog
BostonSymphony's Channel
Silent Running Audio
Boom's Dungeon
Michelangeli Site
Input Choke & Resonant C»
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Audio Rules by Amir  
                Accuracy vs. Musicality (and YMMV)   on 4-1-25 
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