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   Home » Melquiades Amplifier » A different breed of 6C33C amplifier. (85 posts, 5 pages)
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03-17-2012 Post does not mapped to Knowledge Tree
Romy the Cat


Boston, MA
Posts 10,156
Joined on 05-28-2004

Post #: 76
Post ID: 17981
Reply to: 17980
Convince me.
fiogf49gjkf0d
 KOTriode wrote:
Ok, I just read your "Melquides Remote biasing". This technic can not be duplicate in my amp due to DC coupling, the C3G (I dont use 6E5P) driver stage basically adjust the 6C33C current in the output stage. Just for curiosity, I will build a mono block version Melquiades and compare with my version, I believe I have extra chassis for it.
The Melquides Remote biasing is not the Melquides but the idea to use the positive side of biasing to pressurize interconnects with voltage, thus the Remote past comes from. To try the Melquides biasing feel free to discard the biasing PS. You would need 400V to drive the 6E5P, so use the very same supply as you use for driver tube, juts drop voltage to ~ 190v to light up the 150V gas tubes. Evrything after the points B and C on the schematic is important. Do not change the value of C4 and C5 and keep R4 and R6 as high as you can.  By biasing with grid resistor we eliminate the cathode bypass cap (always horrible for sound) in case of cathode biasing, the grid cap in case of fix biasing or grid battery that has a whole array of own problems. The miller capacitance of 6E5P is low as it looks like the grid impedance do not form filter with it that too auditable. The 6E5P has own unique sound that I happens to like but the key in there the gas tube biasing. The gas tubes damp reflections of currents from the 6E5P grid and make the tube sound very luxurious and pliable, it also create very different bass.

The reason I do encourage you to assembled a prototype of Melquides and to give it some listening test is because I find it would be interesting to have some reality check and to see how the my version of 6E5P-6C33C would stand against alternative to drive 6C33C. I do not mind somebody find better single-stage driver 6C33C and I do not mind to use the efforts and time of others to propel the journey. I do feel that anybody who would like to drive 6C33C with one stage have to listen what Melquides. I might be wrong, convince me.

The Cat


"I wish I could score everything for horns." - Richard Wagner. "Our writing equipment takes part in the forming of our thoughts." - Friedrich Nietzsche
03-30-2012 Post does not mapped to Knowledge Tree
KOTriode
Posts 40
Joined on 07-20-2010

Post #: 77
Post ID: 18023
Reply to: 17977
Tango Made in China? Any proof in this rumor?
fiogf49gjkf0d
 Romy the Cat wrote:


There are no good ready to go transformer for 6C33C. Tangos are garbage.  The 20 years back Tangos were OK for small tubes but Tango is long gone and whatever crap they label by Tango in fact Chinese transformers agglomerate production. Lundahl, with glass core, are very good in my view but they have small core size. At 200mA gap you will have 20Hz but if you build a full bloom 6C33C then you do not want to stop at 200mA. Your voltage is 200V, at 200mA you will have 40W on plate – way to little power, particularly for bass. I do not know the Sowter but generally I would advise to find somebody who would make for you your own custom transformer. Go for 350-400mA gap and for inductance to support 12-15Hz at 20W. There was a guy at my site who ordered one in Europe, I do not know if he like the results – he did not post any feedback. I guess you are American, so you might want o talk with somebody like David Slagle from NY. He is kind of “project guy” and he might be a good source for not cookie-cutter transformers with fast cores. Anyhow, the sound of nay SET is made at 85% by the sound of OPT. If you used any temp OPT to test your 6C33C then you get temp results and temp bass. I do not insist but I think that it is possible that as you get better and deserving OPT for your 6C33C then your view about the 6C33C bass will change.


Regarding Tango, the one they build for 6C33C, (the XE-20-600) is the economical XE-20 lines, so I do not feel that they are up to the task that I am looking for. I am not convinced the larger Tango X, XE-60 series are garbage like you said, I have used them for years and compared with many other brand.  There are lots of talk over the net regarding qualities of old Tangos versus the (post 2000) new ISO, and things like Tango are Chinese made transformers (without any proof). Now, I can put all these rumors to test in the next few months since that I have on hand these Tango to test in my new amplifier be it 845, 211 or GM70. What I got is Tango X10S dated 1990, 1998, The Tango ISO X10SF dated 2004 and 2008 that I would be able to test them electrically in one of the industrial standard HP/Agilent LCR Meter and in amplifier.... we shall see! 
03-30-2012 Post does not mapped to Knowledge Tree
Romy the Cat


Boston, MA
Posts 10,156
Joined on 05-28-2004

Post #: 78
Post ID: 18025
Reply to: 18023
The proof to rumor?
fiogf49gjkf0d
Nope, I do not have any proof to the rumor as I do not use the Japanese transformers. I heard them many times, was not liking the entire sound of the playbacks (do not blame only transformers for that) but since I never myself dealt with Japanese transformers my opinion is leas relevant on the subject. The source for rumors is probably come from me but it is not my invention. A few years back I was talking for a famed US transformer maker. He is very knowledgeable guy who is in business for many dozen years and he knows his field. so, he told me that some years back a large Chinese or Taiwanis corporation did buy all those Tamura, Tango, Hashimoto and etc. they still operate independently and a separate brands (like all companies that under umbrella of Harman International) but they all owned that that huge Chinese conglomerate that makes all possible cheap power, switching, signal and many other transformers. So, according to him: as the conglomerate’s cost-effective nature begun to penetrate the production discipline of former small Japanese makers their transformer stopped to be what they were famed for in past and nowadays they all sound “nothing special”. I can’t corroborate with it as I have no personal experience but to be the story sound very believable. He did named the name of the conglomerate and even I knew it but I can’t recall it now. Ironically that many US makers: Plitron, Torpid of Maryland do not make transformer in US but outsource it to the very same Chinese conglomerate. So, today if you buy a Tamura, or Tango, or Plitron, or Amplimo or a $5 transformer in Radio Shake you might very much but the very same transformer only with different labels. I do not know if the Partridge, MagneQuest, Sowter, Stevens & Billington, Bartolucci, Lindberg, One Electron, Audio Note, Hammond and other still do the transformers themselves. I personally prefer to deal directly with one-person type of company, somebody like Intact Audio, Tribute, Elektra-Print and others – who will do my own custom transformer. It is not the most cost effective way and not the assurance of quality but it is an assurance that it will be no indifference in the results. I do like that personal touch….

The caT


"I wish I could score everything for horns." - Richard Wagner. "Our writing equipment takes part in the forming of our thoughts." - Friedrich Nietzsche
04-06-2012 Post does not mapped to Knowledge Tree
KOTriode
Posts 40
Joined on 07-20-2010

Post #: 79
Post ID: 18039
Reply to: 18025
New 6C33C SE mono block
fiogf49gjkf0d


Just finished one mono block 6C33C SE amp.To keep things simple (power supply only need 220V), I used a single driver tube (the second tube is there for backup if not going as planned) through an interstage transformer. Power supply is still regulated but used 6080 instead 6C33C. There are two tube rectifier, one for B+, one for negative bias. This amp used oil cap everywhere except two electrolytic for the heaters for the driver and output tubes. The amp measured better than I planned on the bench, power is a whopping 22Watts with 5% distortion, with 10% distortion it is up to 27W, this put the amp power in 845 territory. The level of distortion across the audio band is also much lower. Can't wait to finish the second one to hear them!

IMG_7950a.JPG
04-06-2012 Post does not mapped to Knowledge Tree
KOTriode
Posts 40
Joined on 07-20-2010

Post #: 80
Post ID: 18040
Reply to: 18039
New 6C33C SE amp at clipping.
fiogf49gjkf0d
Amp at close to clipping level 20.4W, I am surprised that sine wave looked pretty symmetrical. Still has couple chassis left for the Melquiades, the problem is the 400V supplies which required extra power supplies. This interstage amp is so much simpler and easy to build at the expense of the interstage cost.


IMG_7933a.JPG
04-06-2012 Post does not mapped to Knowledge Tree
Paul S
San Diego, California, USA
Posts 2,657
Joined on 10-12-2006

Post #: 81
Post ID: 18041
Reply to: 18040
Power to the People!
fiogf49gjkf0d
Nice job, KOT, and nice trace near clipping!  It's always good to see a full, symetrical wave.  Did you say you did or did not connect the halves of the 6C33C?  Of course I ask because of the power you cite at clipping...  Please remind me, what is the driver, again?  With 3-stage and joined plates you might get close to 40W, but likely not such perfect response.

Best regards,
Paul
04-06-2012 Post does not mapped to Knowledge Tree
KOTriode
Posts 40
Joined on 07-20-2010

Post #: 82
Post ID: 18042
Reply to: 18041
New 6C33C SE mono block.
fiogf49gjkf0d
Paul,I used both halves of 6C33C this time, I planned to use two 6C33C and uses each half for more power, but that would shortened the life of 6C33C if run one triode at max power dissipation. I used the C3G as driver, since I dont use negative feedback, I dont need an extra stage. Yes you can get a little bit more power if you used negative feedback to lower the distortion but I want to keep the circuit as simple and pure, I like the sound that way. I got about 22W before clipping and close to 30W at 10% distortion and that is good enough for now.
04-06-2012 Post does not mapped to Knowledge Tree
Paul S
San Diego, California, USA
Posts 2,657
Joined on 10-12-2006

Post #: 83
Post ID: 18044
Reply to: 18042
Driver Sound, Vodka, and Feedback
fiogf49gjkf0d
KOT, I do not know the sound or character of that driver, at all, but I do think of the 6C33C as "vodka", since it is "tasteless", but it has some "kick".  So, what have you mixed to flavor your vodka, and why did you settle on that driver?

As for goosing power along with typical feedback, this seems to work only as long as one stays in any case inside the original "un-goosed" envelope; or, perhaps, one might gain a useful Watt or 2.  I generally find A2 to be like this, basically only good for a little more A1.

Again, from the traces, your bias settings look "correct", anyway!


Best regards,
Paul S
04-06-2012 Post does not mapped to Knowledge Tree
Romy the Cat


Boston, MA
Posts 10,156
Joined on 05-28-2004

Post #: 84
Post ID: 18045
Reply to: 18040
Clipping....
fiogf49gjkf0d

 KOTriode wrote:
Amp at close to clipping level 20.4W, I am surprised that sine wave looked pretty symmetrical. Still has couple chassis left for the Melquiades, the problem is the 400V supplies which required extra power supplies. This interstage amp is so much simpler and easy to build at the expense of the interstage cost.

KOTriode,

the 20.4W is about right. Hoiwever the absolute power is not so important in my view, even though it might be important in case of lower sensitivity that you use. The total power and the amount of distortions is not so indicative in my view to characterize the operation of amplifier. To me it would be more important to see the image of the be trace at let say 22W. I mean I would like to see the first sight of clipping and I would like to see that with your given load the clipping is absolutely symmetrical. If not, and if the loading of the tube that I use is give to me the right sound then I would plays a bit with current/voltage balance to make sure that the right and bottom clips are happen at the very same time and congruous by shape.

Also, you do not specify the frequency of the trace. Did not go over the conversion of your scope time marking into frequency but looking at the sleight asymmetry of the bottom half I think it was relatively low frequency signal. It always useful to know what the frequency and operating current was as it gives a perspective over the inductance of the transformer.

One more thing I learned as I was working on Milq. I tend to put the amp at fill power, get the very first clip by driving the generator lower and lower, make the clip symmetrical and then trace what section of my amplifiers responsible for the clip. An amp might be clipping by driver stage or by output stage. You need to make sure that the clip you get is purely transformer limitation and nothing else.

From the personal perspective, as I said, if you like the 6C33C then I would really love your to try the Milq driver and compare with the result you got with your driver.

The Cat


"I wish I could score everything for horns." - Richard Wagner. "Our writing equipment takes part in the forming of our thoughts." - Friedrich Nietzsche
04-06-2012 Post does not mapped to Knowledge Tree
KOTriode
Posts 40
Joined on 07-20-2010

Post #: 85
Post ID: 18046
Reply to: 18045
6C33C mono block @ clipping
fiogf49gjkf0d
Paul, I tried this tube in few other amps and also on a phono amp and I like the sound of this tubes, perhaps it  matched with the speakers/amp combination better than other, still there are lots of other tube out there that I would like to try.
Romy, The trace that I posted on previous page is at 1Khz , I always used this frequency as reference. Attached is the trace tabout 24W @ 1Khz where both top and bottom show clipping, the regulated power suppy and adjustable bias made it easy to tune this amp.The bias adjustment is a trade off:- If you adjust bias so that clipping is symmetrical (lower bias current), then at lower power the distortion is pretty high, you can check that the sine wave is not symmetrical is lower level.- If you adjust the bias current for lowest distortion at power before clipping occurs (bias current is much higher), the distortion is much lower and the sine wave is more symmetrical, however when heavy clipping occur, the the sine wave is not symmetrical.


IMG_7960a.JPG
Page 4 of 4 (85 items) Select Pages:  « 1 2 3 4
   Target    Threads for related reading   Most recent post in related threads   Forum  Replies   Views   Started 
  »  New  6C33C myths: audio Moronometr...  Overdrive warning light...  Melquiades Amplifier  Forum     3  58579  06-22-2005
  »  New  More 6E5P-6C33C amps...  Russian 6e5p - 6C33C...  Melquiades Amplifier  Forum     22  224591  04-12-2009
  »  New  Borbely Audio Take on 6C33C..  Borbely Audio Take on 6C33C...  Melquiades Amplifier  Forum     0  21329  12-21-2009
  »  New  To drive the 6C33C.....  Limits...  Melquiades Amplifier  Forum     65  633111  07-10-2005
  »  New  The short "6C33C Survival Guide"...  Ac filament.....  Melquiades Amplifier  Forum     20  374278  12-18-2007
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