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Audio Knowledge Tree ™
Romy's "Audio Rules"
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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
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» Trinnov amplitude and im»
» Custom enclosure?
» Appearance of listening »
» A horn workshop
» Brahms, "Liebeslied»
» What is High-End Audio, »
» Orphean horns / BMS driv»
» Happy birthday Johann Se»
» I can't wait to read the»
» Clark Johnsen.
» Auro, reverb injection, »
» Anything wrong with wide»
» Valve Technology Timeline
» How to evaluate playback»
» A true nature of audioph»
» CES – constant but fortu»
» The new FM Classical sce»
» About Darwinism of Music»
» RCA’s Sound And The Story
» Avantgarde Trio, Roy Gre»
» Philmundi Story about ho»
» About the audio Sources.
» Sensible record cleaning»
» Earl Geddes: I can't her»
» The Remote System Manage»
» Bermuda Triangles of Aud»
» That is not 1812 and the»
» Summary: my/your audio: »
» Walter conducting Vienna»
» The industry’s high qual»
» HD Radio? Good, bad or u»
» Disregard Digital with V»
» Mravinsky/Leningrad from»
» Amazing Altec 288 ++
» George Orwell and loudsp»
» Electrostatic tweeter fo»
» Sounds of Science
» Oistrakh(s) on Monitor M»
Bookmarked are red
Tchaikovsky's Compositio»
Vladimir Lamm Site
Find-a-Concert
Wiener Philharmoniker Di»
Doremi CD label
Virtuosos Discographies
Classical Collections
Former Sirkorski Site
JBL Products
Hi-Fi Speakers Design
The Opera Critic
WGBH's “Keeping Score”
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Kenwood L-02T FM Tuner
Tribute Output Amorphou»
Vitavox 330Hz Horn for »
Purist Audio Design Pro»
Altec 515B bass drivers
Micro-Seiki Arm Board
“Tree Blind Mice” colle»
Musatex-TP Bidat 20-Bi»
Sansui TU-X1 Tuner
LF Transformer for 6C33C
Stage Acompany SA8535 d»
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