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» Opera “Boris Godunov”
» Audio equipment vs. live»
» Wide dispersion horns
» The Museatex Bidat pages.
» My horn speakers system.»
» Adding one more non-sphe»
» Chostakovich: Concerto »
» I think it is the end.
» Bravo Brahms, Bravo Wand»
» Why second tonearm/cartr»
» Where high-end audio sta»
» An ultimate transformer »
» Is anybody live in Austr»
» The “guest musician opin»
» Macondo – Super Melquiad»
» About DSET-driven multi-»
» The corrupted listening »
» Passive line level cross»
» Some horn writing by Tho»
» The 3rd music revolution»
» An amplifier for Tweeters
» SET amplifiers
» Playback journeys and Mu»
» UHF capable tweeters and»
» Do not “compare” audio e»
» Boston and Bruckner
» Vitavox ak151 in klipsch»
» Horn high-sensitively ar»
» Problems with horns: upp»
» The beauty of Cannibalis»
» Faital compression drive»
» Audio equipment recommen»
» Playing bad recordings u»
» Melquiadising other amp?
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» OK, digitechs, why won't»
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» High-End Audio and..... »
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Classical events in Boston
APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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NPR Classical Programs
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Classical Music News
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a woman takes the podium a»
he wasn’t toscanini, but h»
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another trump blunder»
from concerts to cartoons:»
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Composer's Anniversaries
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Cafaro, Pasquale (1 Februa»
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Conus, Julius (1 February »
Mengelberg, Rudolf (1 Febr»
Pepping, Ernst (12 Septemb»
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Tveitt, Geirr (19 October »
Strietman, Willem ( 1918-»
Mercure, Pierre (1 Februar»
Shapiro, Michael (1 Februa»
My Audio Leftovers
Lamm ML-2 Single-Ended »
Purist Audio Design Pro»
CEC TL-0 MK2 transport
Purist Audio Design Pro»
Musatex’s Bidat Model "»
Koetsu Onyx Platinum Ca»
Micro Seiki RX-5000
Pacific Microsonics Mod»
Micro-Seiki air-suspend»
“Tree Blind Mice” colle»
Vitavox AK-15/40 15" ba»
More Leftovers »»