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Audio Knowledge Tree ™
Romy's "Audio Rules"
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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» A full-range driver = C»
» Future of high-end audio
» Dannoy and oxytocin...
» The European Triode Fest»
» Micro Seiki SX 111FV Pla»
» LF Amplifier in biamping.
» Equalizer? Hm…
» The Tenor amplifier and »
» Klipsch Jubilee horn
» A tale of two DACs
» Melquiades: too early fo»
» Callas and Tebaldi Compa»
» Live vs. Recorded transc»
» The Krell’s cursed Sound»
» Lamm L1 vs. L2 preamp
» Stupid SME question abou»
» Okada’s installation.
» Input choke for Low Curr»
» Who owns what in FM
» Dunlavy SC++ loudspeaker»
» Smyth Research Realiser »
» Moerch DP6 and DP8 “anis»
» Satisfying result: the R»
» Who the hell is this int»
» A complex Audio Question
» Music and Arts of Americ»
» Jean Hiraga’s cooking of»
» Gas voltage reference 0A»
» Primitive steps for stan»
» The 68 dipoles imitation»
» Internet and electricity
» Musicians' ear
» Melquiades (D-Set) parts»
» How to evaluate playback»
» The Sound and How We Hea»
» Altec Lansing model 19 c»
» Electrostatic tweeter fo»
» Polish Chamber Choir - S»
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Duntech Audio loudspeake»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
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APR 12 Magdalene Ho, pianis»
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APR 12 Takács Quartet in Gr»
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Rohde & Schwarz EU-6201»
Stage Acompany SA8535 d»
Kenwood L-02T FM Tuner
REL Precedent 646C tuner
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Altec 808A compression »
Electro-Voice T350 twee»
Micro-Seiki air-suspend»
Micro-Seiki MAX-282 To»
Sansui TU-X1 Tuner
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