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» Magico: biological minde»
» Reel-to-Reel Tape vs. Ra»
» The Thomas Blumenhofer’s»
» Playlists and patience
» Rod Poole 1962-2007
» The iHorn - a passive a»
» What is High-End Audio?
» 23Hz mono horn project.
» New, Transparent Speaker»
» Looking for the most vin»
» The Nationals Anthems
» The Avicenna's failure i»
» New sample 24/96 downloa»
» The Melquiades' "Re»
» DRU Tube for Melq’s HF c»
» Why people still sell co»
» Bye-Bye Reel
» New Barenboim’s Bruckner»
» Live memories of Live br»
» An amplifier for Tweeters
» Beautiful Mahler Lieder
» Brahms, "Liebeslied»
» Orion Phono Preamplifier
» The not-so-big listening»
» Audio Quality Matters in»
» Wilsons, EMM, Ozawa, Sa»
» Upcoming Bruckner 4
» DAC Recommendations
» 6 Channel Version of Sup»
» Reinforced live sound in»
» High-End Audio as going »
» Kitties go to London
» Audiotism: cable elevato»
» Excerpt: Beethoven Cello»
» Juana Zayas plays Chopin
» New old records shopping
» Where the Horns Light is»
» Bad, bad, bad 1812 Overt»
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Classical events in Boston
APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
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NPR Classical Programs
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he wasn’t toscanini, but h»
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Duruflé, Maurice (11 »
Childs, Barney (13 Februar»
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Obadike, Keith (11 January»
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My Audio Leftovers
Altec 808A compression »
REL Precedent 646C tuner
Micro-Seiki Arm Board
“Tree Blind Mice” colle»
SME M2 - 12" Tonearm wi»
LF Transformer for 6C33C
Conscience of audio rev»
Stage Acompany SA8535 d»
Kenwood L-02T FM Tuner
Mid-range tantrix round»
Tribute Output Amorphou»
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