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» About speakers Imbedded »
» The experiments with rem»
» How to insert youtube vi»
» The one-stage Melquiades.
» Myth: High-efficiency L»
» SME M2-12 tonearm
» Claude Perrier and his t»
» Wilson Audio Setup Proce»
» The Saudi Arabia and Uni»
» Configuration from Italy»
» Rendezvous Mit Richard T»
» How to play Mahler 7 at »
» High-End Audio Bass: wha»
» An evening to remember -»
» Http://goodsoundclub.com»
» The Trout - Perlman, Ba»
» A great production of th»
» Impossibility of commerc»
» Bruckner 8 in Washington»
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» Reallocation of efforts:»
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» About Audio and Cooking »
» How playing an instrumen»
» A horn workshop
» My old Fi-Hi gear associ»
» A proper implementation »
» Bliss
» Digital Equalization
» Software for collection »
» AMR PH-77: just another »
» Romy...thoughts on Lamm »
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» Paradoxes of my Racism.
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Classical events in Boston
APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
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APR 17 In Search of New Wor»
NPR Classical Programs
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Classical Music News
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he wasn’t toscanini, but h»
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Composer's Anniversaries
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Furtwängler, Wilhelm »
David, Johann Nepomuk (30 »
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Huber, Klaus (30 November »
Hunt, Jerry (30 November 1»
My Audio Leftovers
Musatex’s Bidat Model "»
Mid-range tantrix round»
Stage Acompany SA8535 d»
Micro-Seiki MAX-282 To»
Rohde & Schwarz EU-6201»
Micro Seiki RX-5000
Micro-Seiki air-suspend»
Pacific Microsonics Mod»
Lamm L2 Reference pream»
Rohde & Schwarz MSDC Mu»
Vitavox AK-15/40 15" ba»
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