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» The optimum Sampling Rat»
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» “Why horns”, years later.
» Cable Current Loading
» How to build the best au»
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» Miniumum sample rate for»
» The best audio product o»
» About Moronism in Audio
» Playback evaluations mad»
» “Zarathustra” amplifier:»
» First Bruckner listening»
» My new “New” listening r»
» Bach Cello Suites
» Ever thought about how m»
» Berkeley Audio Design's »
» Buckner and Sun
» How to insert pictures i»
» Claude Perrier and his t»
» A tale of two DACs
» The “sounds” that I am l»
» HELP on a Custom 3 Way H»
» Memory Player Box?
» Double enclosure or usin»
» Russian cello festival
» Rubinstein at Carnegie H»
» A sad day in Greece.
» K2HD -yet, another CD fo»
» The girl with banjo - th»
» Stage Music: get clew.
» (Hopefully short) headph»
» From Newton to Einstein
» There is no need to say »
» Lamm L1 vs. L2 preamp
» Stravinsky and Headphone»
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Willem Mengelberg discog»
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Direct Drive TT
Marston Records
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Female Composers Site
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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julian bream, maestro of g»
a woman takes the podium a»
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classical music news. diab»
another trump blunder»
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ethel smyth, a composer lo»
classical music attracts o»
‘the lost pianos of siberi»
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it’s (almost) business as »
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Micro-Seiki air-suspend»
Vitavox AK-15/40 15" ba»
Korvet “Egg” Tonearm
“Tree Blind Mice” colle»
Lamm L2 Reference pream»
Mid-range tantrix round»
Musatex-TP Bidat 20-Bi»
Sansui TU-X1 Tuner
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