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» Beethoven's Triple Conce»
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» Yet another Gould box se»
» Antelope: might be an in»
» New set-up causing major»
» Weinberg String Quartet »
» The Edgarhorn RTA respon»
» Good small SS amplifier
» A request to all posters»
» Lamm LP2 phonostage: rev»
» The K&K SE hybrid ph»
» Film about Jacqueline du»
» Why second tonearm/cartr»
» How to make a music pers»
» My Koshka is meowing
» Rudolf Barshai conducts »
» Chicago Horn Loudspeaker»
» A[nother] Cautionary Tal»
» The new CEC TL1 transpor»
» "Consensus in audio»
» To hear Haydn for a firs»
» A new 'chic' foolishness»
» Headphone amplifiers. Ba»
» The strings period: the »
» Tonearm Alignment Method
» BPO's virtual concert ha»
» Gould's Piano
» “Melquiades” amplifier: »
» About dymick sparkling.
» Micro Seiki Armboards: I»
» I need a “second-type” p»
» Bruckner 9 live in 30 mi»
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Unofficial Vitavox Site
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The Music Parlour.
Art Songs and Librettos
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Korvet “Egg” Tonearm
Lamm ML-2 Single-Ended »
Electro-Voice T350 twee»
CEC TL-0 MK2 transport
Vitavox S2/S3 diaphragms
Vitavox AK-15/40 15" ba»
Mid-range tantrix round»
Musatex-TP Bidat 20-Bi»
Lamm Industries M1.1 Mo»
Rohde & Schwarz EU-6201»
Pacific Microsonics Mod»
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