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» Wanted Vitavox S2 Origin»
» Canadian Speaker Proposal
» Eventually - a reasonabl»
» Some analysis of the Joe»
» ESS Connoisseur: a sensi»
» Weinberg String Quartet »
» Mr. Kleen Stylus cleaner
» The Krell’s cursed Sound»
» Book "High Quality »
» Future of high-end audio
» What to do in office?
» What TRULY high-audio p»
» Bruckner 3rd
» Lamm ML2.0 & Lamhorn»
» An interesting TT link: »
» Correcting Filters and t»
» “Melquiades” amplifier: »
» About beauty and uglines»
» Remastering (and re-loca»
» Output transformer for b»
» Good commercial speakers
» Musique Concrete horns
» Configuration from Italy»
» So, What's the Story on »
» William Ralston Listenin»
» JBL LE8
» Driver tubes, grid leak »
» New Horn Speaker Manufac»
» Try something unusual an»
» Audiotism: cable elevato»
» Mystery of bass horn cal»
» Shostakovich’s 100th bir»
» Rachmaninoff Piano Conc»
» DAW drives configuration»
» A speaker set with JBL 2»
» The ways to delay horns »
» Shostakovich‘s "Suite on»
» The “Implied Sound” in A»
Bookmarked are red
Decca Classical discogra»
Broadcast History
Classical Music Streams
Aria Database
BuyWell Australia's Clas»
Heart's Ease
The Gustav Mahler Board
Ron Penndor's Recollecti»
THL Audio
Silent Running Audio
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Musatex’s Bidat Model "»
Vitavox 330Hz Horn for »
Electro-Voice T350 twee»
Lamm L2 Reference pream»
Rohde & Schwarz EU-6201»
Micro-Seiki MAX-282 To»
Sansui TU-X1 Tuner
SME M2 - 12" Tonearm wi»
Pacific Microsonics Mod»
ESS AMT-1A Heil Air Mot»
Lamm ML-2 Single-Ended »
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