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Audio Knowledge Tree ™
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» About “strangeness” of A»
» How playing an instrumen»
» Anyone Care to Make Odds»
» Lamm ML2.0 & Lamhorn»
» Playback journeys and Mu»
» Romy's Horns
» Micro Seiki SX777 Air Re»
» Speakers: a hi-fi disast»
» Macondo listening experi»
» Reel-to-Reel Tape vs. Ra»
» Crash course on horns an»
» Signal variation, noise,»
» Be careful: Imaging vs. »
» Passive line level cross»
» Hmmm... the sad truth ab»
» The great pianist Earl W»
» Time Alignment : Live Pe»
» Absolutely the best audi»
» MacondoLite
» William Kapell legacy an»
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» John Curl’s new phonosta»
» Bravo, Stereophile: Adve»
» Happy birthday Johann Se»
» The European Triode Fest»
» Clean and polish gunmeta»
» Marantz MA-9S2 Monoblock»
» Bass impact on Turntable»
» Why second tonearm/cartr»
» Non-MDF horns
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Altec 808A compression »
REL Precedent 646C tuner
Musatex-TP Bidat 20-Bi»
Vitavox AK151 15" bass »
CEC TL-0 MK2 transport
Vitavox S2/S3 diaphragms
“Tree Blind Mice” colle»
Vitavox AK-15/40 15" ba»
LF Transformer for 6C33C
Sansui TU-X1 Tuner
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