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» Cooperation for the comm»
» RIAA pole two = 501,12 Hz
» WGBH Opera Bash 2009
» SET and speakers: disreg»
» Claude Perrier and his t»
» Long time due: Digital P»
» Hideous American operas.
» Building horn onto power»
» Brahms, "Liebeslied»
» ... and some Bruckner bu»
» Electrovoice t350 repair»
» To hear Haydn for a firs»
» Dpols?
» The best “Die Fledermaus»
» Munich High End 2011
» The WHRB’s Orgies period.
» Audio equipment vs. live»
» A great production of th»
» Drama vs. Chic
» Panel with Peter Qvortru»
» My beloved Contraltos: k»
» Dvorak Piano Quintet
» Volti Audio's Vittora
» Minusk: a new Vibraplan?
» Open cell foam in horns »
» What a trip 30 years bac»
» Macondo – Super Melquiad»
» Reel-to-Reel Tape vs. Ra»
» Joël Durand Intervi»
» 4-sale items
» Faital compression drive»
» The nature of "soun»
» Tannoy Red 1960s: some s»
» Hans Zenders’ orchestrat»
» A response to David Hurv»
» Some conical horns anti-»
» Vitavox 12 cell Horns + »
» Janine Jansen Violin
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AUG 1 Danish String Quarte»
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AUG 1 Mozart: The Marriage»
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Pacific Microsonics Mod»
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Kenwood L-02T FM Tuner
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