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» Ravel Piano Concerto No2
» SS Power Amps - the FoxN»
» 23Hz mono horn project.
» A “pocket version” of Br»
» Playing third cartridge »
» The “new” ways for initi»
» Corner Speakers for a ne»
» Turntable Design
» BiDat: One more output
» How we "think"»
» Bruckner 3rd
» Maxim Vengerov: Encore i»
» Soprano Sally Matthews.
» Corresponding With Carlo»
» Learning to interpret RTA
» Baltimore Symphony Appoi»
» The most promising “best»
» Tossy Spivakovsky and Tc»
» WE15a plans
» How to listen High-End A»
» All Active! A DSET and m»
» Macondo and ALE drivers,»
» New bottlehead dac
» Time alignment of drivers
» THe Audio Critic Magazine
» Richard Wagner. Somethin»
» Reading an official audi»
» Shostakovich’s 100th bir»
» An idea of Individual Re»
» I have a dream, the drea»
» Suggestion on my introdu»
» Single Ended Pentode to »
» Bruckner at 24bit.
» The A=432 Hz Frequency
» Audio equipment vs. live»
» Re-set Martha Argerich!
» Greek Anima Loudspeakers
» The power AC Outlets?
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The Thiele-Small Loudspe»
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The Well Tempered Comput»
Loudspeaker Designer's G»
Phono EQ
WHRB Radio Station
Lied and Art Songs
Haenssler Classic
Classic Records UK
Vintage EV speakers
Rachmaninoff Society
Scriabin's Sonatas
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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he wasn’t toscanini, but h»
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another trump blunder»
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ethel smyth, a composer lo»
classical music attracts o»
‘the lost pianos of siberi»
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it’s (almost) business as »
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Micro Seiki RX-5000
Mid-range tantrix round»
Altec 515B bass drivers
Musatex-TP Bidat 20-Bi»
Electro-Voice T350 twee»
Vitavox S2/S3 diaphragms
Rohde & Schwarz EU-6201»
Kenwood L-02T FM Tuner
Rohde & Schwarz MSDC Mu»
Micro-Seiki air-suspend»
Stage Acompany SA8535 d»
More Leftovers »»