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Audio Demoronizator AD-1
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» Placido Domingo... condu»
» Stop having a fear of ho»
» Andre Previn in Boston.
» A playback and wrong not»
» Der Ring Des Nibelungen »
» More about Vienna Philha»
» Philosophical approach t»
» New paradigm - what an &»
» The audiophile’s stupid »
» Hi from Melbourne, Austr»
» Sound from behind a wind»
» A very good horns system.
» Loenid Kogan
» Loudspeakers and headpho»
» Corresponding With Carlo»
» Compression driver phase»
» Just Hi.. and my audio b»
» The Eduardo Chibas and B»
» High-End Audio, how to »
» 1st Guitar Thread
» Every crowd has a silver»
» The benefits of ultra hi»
» The Shelter 90X: mystery»
» RMAF 2008 observations, »
» An ultimate horn profile?
» Clark Johnsen.
» Foundation Standarts for»
» Another topic on vitavox»
» Not new, but VERY intere»
» What drives good sound?
» Magico: biological minde»
» Electrostatic tweeter fo»
» New bottlehead dac
» The industry-embraced au»
» Bruckner at 24bit.
» I am thinking about anim»
» The exaggerated boots un»
» Input choke for Low Curr»
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Classic Records UK
George Szell discography
Greg Sando’s Site
Austria's Musical Exiles
Classical Music Streams
Rachmaninoff Society
John Lenard Burnett's si»
Silent Running Audio
Delta Entertainment
Hickok Maintenance
Loudspeaker Designer's G»
The Soul of Sound
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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