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Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Stop buying the records »
» Shall quality-price be r»
» PCM63 DAC with Transform»
» Smetana's Piano Trio
» Tokyo Opera City Concert»
» "Consensus in audio»
» Midbass Horns and Real E»
» Schroder Tonearms
» Worcester Music 2009-201»
» Moscode, Morecode, Moron»
» The Nimbus' Prima Voce b»
» Lamm ml2 voltage 110v to»
» Yarlung Records at 24 bi»
» About reviewer’s qualifi»
» Software for collection »
» About bass horns by Joha»
» Too damn loud?
» Belar fms-2 Vs. r&»
» DHT driver & input
» Recommend me works to ge»
» The “Dead Points of Live»
» Recording/Playback softw»
» Acoustic Treatments That»
» I hate, hate, hate, hate»
» About the pre-warming of»
» To buy an SACD Player?
» Satellite radio
» Initial thoughts about n»
» Patricia Kopatchinskaja »
» Russian mythology and Ho»
» Why I hate HornResp.
» The “Right of Spring” – »
» Rullit Aero-8 driving – »
» Introduction to “Melquia»
» RCA driver made in China
» Furtwangler War Years Re»
» The Nationals Anthems
» RIAA pole two = 501,12 Hz
Bookmarked are red
Nornan Lebrecht's blog
Duke Classical
Radio-Locator
Alexander Karpov’s “Next»
Hi-Fi Speakers Design
About FM Antennas
WGBH's “Keeping Score”
Tubecad publication
OperaGlass
Conductor’s Corner
Direct Heated Rob
AudioTools
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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AUG 17 Black Sheep Contempo»
AUG 18 Rossini’s Petite Mes»
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