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Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Where is "Good enou»
» Making it sing...
» Tannoy Red 1960s: some s»
» EMI rollercoaster across»
» My reading for a “smalle»
» Bookshelf Horns
» About bass horns by Joha»
» Bose audio and industry »
» Lower cost horn loaded a»
» Accuracy vs. Musicality »
» Dannoy 2021 Loudspeakers
» Asyncronus USB
» Puccini: Tosca
» The ferrofluiding of com»
» WGBH Opera Bash 2009
» A datacenter at home and»
» Top Recordings of All Ti»
» About “strangeness” of A»
» The 500-megawatt FM stat»
» THe Audio Critic Magazine
» Seven hours of live musi»
» What drives good sound?
» Deficiency of sensible a»
» Adding one more non-sphe»
» Bach and kids…
» Macondo 2.0?
» Loenid Kogan
» High-end audio: Absolute»
» The Hand Clapping by Fra»
» Say “no” to the light to»
» Purist Audio Design vs. »
» Problems with horns: mid»
» The sound of Concert Hal»
» Audio Shopping vs. Piano»
» Maxim Vengerov: Encore i»
» Micro Seiki MAX 282 User»
» Mysterious Russian Tromb»
» Bad orchestras shell not»
Bookmarked are red
The AHRC Research Centre
Rachmanionoff's links
Recording Technology His»
Seen and Heard
The Bruckner Discography
Audio Anthology
Cedille Chicago
High-Tech Hi-Fi
Olson Acoustical Book
The Tape Project
Musical Instrument Jokes
Michelangeli Site
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Ortofon Mono CG 25 Di c»
Rohde & Schwarz MSDC Mu»
Mid-range tantrix round»
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Micro-Seiki MAX-282 To»
Electro-Voice T350 twee»
Altec 515B bass drivers
Conscience of audio rev»
Sansui TU-X1 Tuner
Pacific Microsonics Mod»
Korvet “Egg” Tonearm
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