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» (Hopefully short) headph»
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» The “Inverted High End A»
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» Better solution for bein»
» Allnic Verito MC Phono C»
» High-End Audio and ... c»
» Audio Quality Matters in»
» New set-up causing major»
» Turntable speed analysis.
» Barn Conversion - James'»
» Open letter to WGBH.
» Furtwangler War Years Re»
» Belcea Quartet
» National Youth Orchestra»
» An amplifier for Tweeters
» German Odeon horns.
» Western Electric reprodu»
» My feelings about new ex»
» The contra-ridicules sol»
» Benjamin Britten’s Violi»
» The “better speakers” to»
» Woofer cone materials an»
» Etheraudio's some BS….
» Any South/Latin American»
» Playback and Perception »
» What is High-End Audio, »
» How would you handle it?
» Charles Schlueter’s inte»
» I'm omnivorous... am I i»
» Don't evaluate audio by »
» A great production of th»
» Ah, Michelangeli...
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» Lamm Industries: a speci»
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BostonSymphony's Channel
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Classical Music Streams
Duke Classical
Vincent Brient's Sit
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Value of Records Tool
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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a woman takes the podium a»
he wasn’t toscanini, but h»
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classical music news. diab»
another trump blunder»
from concerts to cartoons:»
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how to diversify orchestra»
ethel smyth, a composer lo»
classical music attracts o»
‘the lost pianos of siberi»
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it’s (almost) business as »
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Daluisio, Rodolfo (31 Janu»
Benjamin, George (31 Janua»
Micro-Seiki air-suspend»
Purist Audio Design Pro»
Vitavox AK151 15" bass »
Korvet “Egg” Tonearm
Hillock TV-2 tube tester
Tribute Output Amorphou»
“Tree Blind Mice” colle»
Lamm L2 Reference pream»
Altec 808A compression »
Vitavox S2/S3 diaphragms
Electro-Voice T350 twee»
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