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» Yarlung Records at 24 bi»
» My new favorite "Ne»
» Engaging the David Haign»
» Playing third cartridge »
» Remote control, problems»
» The exaggerated boots un»
» Tannoy Red 1960s: some s»
» Rullit Aero-8 driving – »
» A turntable platter as a»
» Expressive Technologies »
» A phenomenal find: Garvi»
» Audio and the “Alzheimer»
» The tools to listening s»
» It takes balls to shop (»
» NASA Reverberant Acousti»
» A CD player of today… 20»
» Expressive Technologies »
» TAS article: start of th»
» Synergy Horn
» THE Show, 2016
» Configuration from Italy»
» Foundation Standarts for»
» Inner Groove Distortion »
» What TRULY high-audio p»
» World's First Concrete R»
» Tractrix Bass horn vs Sp»
» Vitavox’s S2 Survival Gu»
» The Nationals Anthems
» A ridicules speaker cable
» God bless WDR Symphony O»
» I wonder if this crap is»
» Long time due: Digital P»
» The Audio of 21 century:»
» Remastering (and re-loca»
» Some Audiogon realty
» Vitavox and Goodmans Bas»
» Attention Sound Engineer»
» Denouncing of idea of Ba»
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Linkwitz's "Laboratory"
Classic Records UK
Clemens Krauss Archive
Stereopal
Musical Musings
Russian Music in 20th Ce»
Classical Music Forum
Museatex
Irvington Music
Vintage Audio Trader
Art Songs and Librettos
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 In Search of New Wor»
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