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» Fuck you, the Shunyata's»
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» The sound compromises of»
» Electrostatic Sub Horn
» What lives in Symmetric »
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» Trinnov amplitude and im»
» Tchaikovsky Symphony #4
» The DSET perspective exa»
» About the Playbacks’ Thi»
» The wonderful Alisa Weil»
» EAR Yoshino DAC 4 by Tim»
» Red Violin Concerto
» Lavry D9a26 Power Supply
» Volti Audio's Vittora
» About DSET-driven multi-»
» The Macondo’s Upper Bass»
» It is about timbres, stu»
» My new “New” listening r»
» Horn loaded ribbons and »
» (Whose) classical music.»
» How is Leak tl 25 differ»
» I think it is the end.
» The road to less dummine»
» Shall quality-price be r»
» Tanglewood Music Center »
» The Verklarte Nacht with»
» Coral x-viii
» Tweeters for Altec 420y »
» Eben X-3 loudspeakers -»
» Sensible record cleaning»
» A Scratched Horn.
» Single Ended Triode dist»
» 12AX7 or?
» Too damn loud?
» In interesting new compa»
» State Symphony of Russia»
» 45Hz Bass Horn
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Electro-Voice T350 twee»
Micro-Seiki Arm Board
Fane Studio 8 dual conc»
Micro-Seiki MAX-282 To»
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Tribute Output Amorphou»
Altec 515B bass drivers
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Rohde & Schwarz MSDC Mu»
Korvet “Egg” Tonearm
LF Transformer for 6C33C
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