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Audio Demoronizator AD-1
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» Micro Seiki RX-5000 stat»
» LeCleach vs. tratrix and»
» The elusive “absolute to»
» Making musical instrumen»
» Which SME 3009?
» How to switch moving coi»
» Problems with horns: mid»
» Best recording I heard i»
» Rohde & Schwarz EU-6»
» Mahler 3 and BPO.
» Thomas Mayer’s Triamp
» A proper implementation »
» Bose audio and industry »
» To play my 88/24 files o»
» Passive line level cross»
» Help with RF loop
» High-End Audio and ... p»
» A lucidly implemented di»
» The Evolution (or Anti-E»
» Playing third cartridge »
» Elgar conducts Elgar.
» Transfer: The reel-to-re»
» Tanglewood 2010
» The LCR RIAA correctors
» A quantum CD?
» Hildegard von Bingen on »
» Liszt’s symphonic poems.
» Book "High Quality »
» Attempt of a playback sy»
» America, version 2004
» Back chamber
» Training amplifiers
» Wasted Time and "be»
» MF on AF2, and (perhaps)»
» Attention Sound Engineer»
» 1st Guitar Thread
» Holly Proscenium idiocy!
» Bruckner Sinfonie Nr.8, »
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Tchaikovsky's Compositio»
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Phil Mundi Audio Pro Med»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Mid-range tantrix round»
Hillock TV-2 tube tester
Vitavox S2/S3 diaphragms
Electro-Voice T350 twee»
Conscience of audio rev»
Pacific Microsonics Mod»
ESS AMT-1A Heil Air Mot»
Rohde & Schwarz EU-6201»
Vitavox AK151 15" bass »
Stage Acompany SA8535 d»
Micro-Seiki Arm Board
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