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» Benjamin Britten’s Violi»
» Valve Preamplifier for M»
» Next week in Metropolita»
» A new European productio»
» French Horns/drivers sho»
» JBL 2490 mid-range driver
» Digital crossovers self-»
» Bad orchestras shell not»
» To Rip or not to Rip.
» Wet/Dry ™ configuration »
» Magico Mini or Jonathan »
» Great Cello Concertos
» Aimez-vous Bartók?
» Weiss Engineering DAC202
» Interesting use of Lunda»
» Mozart: "Cosi Fun T»
» Macondo’s Midbass Projec»
» Measuring reality: empir»
» Practicality of paper ma»
» DHT driver & input
» Vertical Axis Midbass Ho»
» What would be left in au»
» Is horn a natural shape?
» Performers
» Antenna diversity system»
» Help to identify the LF »
» Loenid Kogan
» Romy...thoughts on Lamm »
» Monophonic bass: myth an»
» A resistor between scree»
» A strange urge.
» Playing bad recordings u»
» Think Denk and op.106
» The silence after coda
» Surprising: the most int»
» 250 watts Parallel S.E. »
» If you were to start fro»
» Ravel's String Quartet; »
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Direct Heated Rob
Classic Records UK
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WGBH's “Keeping Score”
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Musatex-TP Bidat 20-Bi»
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Vitavox S2 Compression »
Electro-Voice T350 twee»
Vitavox AK-15/40 15" ba»
CEC TL-0 MK2 transport
Lamm ML-2 Single-Ended »
Lamm L2 Reference pream»
Mid-range tantrix round»
Micro-Seiki MAX-282 To»
Vitavox AK151 15" bass »
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