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Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Horn high-sensitively ar»
» An Afternoon with Gary K»
» CDs: good tendencies.
» Recording/Playback softw»
» Monitors: Wishful thinki»
» The evil of low sensitiv»
» “Zarathustra” amplifier:»
» PlayClassics TRT v2.0 ma»
» Multi-amping crossoverin»
» Practicality of paper ma»
» About beauty and uglines»
» FM and … cables…
» LF for use with Vitavox »
» The elusive “absolute to»
» The “Melquiades” Sound -»
» Lamm hybrids: M1.2 vs. L»
» Mozart, Piano Concerto i»
» The Herbert von Karajan’»
» Remote control - the ult»
» New old records shopping
» The industry-embraced au»
» Splitting XLR into Multi»
» Matching audio to music:»
» Inner Groove Distortion »
» Mastodont DIY Rack: Wall»
» Tchaikovsky Symphony #4
» $350.000 of audio-script»
» 2012 Decca records from »
» From bad Opera to good O»
» Upper-Sound of Upper-Imp»
» Roger Waters' Ça Ir»
» The ridicules naming of »
» Silicone gel damping?
» Macondo’s Midbass Projec»
» Rendezvous Mit Richard T»
» 6 Channel Version of Sup»
» The state of High-Effici»
» Audio and Politic: a sol»
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Dolmetsch Online
Classical Music Streams
Tuner Information Center
BachTrack
Random Classics
Input Choke Calculator
Vladimir Lamm Site
Audio Perfectionist
Perer Gulmann's Classica»
Phono EQ
Classical Composers
Furtwängler's conserts
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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