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» Music in the Sound: a mo»
» The open project: a late»
» The industry-embraced au»
» The Audio of 21 century:»
» High-End Audio. The thir»
» It is about timbres, stu»
» Faberryman and the CES 2»
» HELP: I’m a line-level l»
» About Moronism in Audio
» The nature of "soun»
» Tuners and digital noise»
» Chinese upperbass horn.
» R22
» Cessaro Gamma II and Ome»
» Micro Seiki MAX 282 Ques»
» Shaky tubes, echo testing
» If I were a High-End Aud»
» Summary: my/your audio: »
» About audio Crashes.
» Rod Poole 1962-2007
» Integrated sound field o»
» About digital files and »
» Van den Hul famous FAQ c»
» The John Barbirolli’s wi»
» Mid Bass horns help with»
» Archimago's Musings talk»
» Analog Transfer: the fir»
» Bach's performing space.
» Here is my new tonearm.
» Custom made woofers.
» BBC broadcasting radio e»
» Tonearm Alignment Method
» Horn Speaker Leftovers f»
» Getting more power from »
» Better organization/desi»
» This new midbass horn di»
» Rejection of non-natural»
» Loudspeakers and headpho»
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Furtwängler's conserts
Berkshire Record Outlet
Turner Audio
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
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LF Transformer for 6C33C
Purist Audio Design Pro»
Electro-Voice T350 twee»
Vitavox S2/S3 diaphragms
Fane Studio 8 dual conc»
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Koetsu Onyx Platinum Ca»
SME M2 - 12" Tonearm wi»
Sansui TU-X1 Tuner
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