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Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» The Dvorák’s Tone P»
» The Norman Lebrecht’s ar»
» 6C33C myths: audio Moron»
» Deficiency of sensible a»
» Why I do not like La-hor»
» A book about Loudspeaker»
» Tonality versus Frequenc»
» Revisiting DSP
» A new 'chic' foolishness»
» Wich melquiade?
» The most ridicules symph»
» Lavry D9a26 Power Supply
» How many channels does a»
» A Very Nice "Eroica»
» Today: Rachmaninoff in A»
» The fantastic Lucas Deba»
» Why David Robertson does»
» Rachmaninoff PC 2: Conce»
» Dubbing LP to digital.
» A response to David Hurv»
» New, Transparent Speaker»
» Digital Equalization
» My Analog Playback: the »
» Nice collection of Artic»
» 6 Channel Version of Sup»
» Micro SX8000I: noisy pum»
» BSO and 192kps
» Beware of the "dipo»
» My recent FM mystery
» Tell me about more about»
» The FM Stereo and Multi»
» Beauty as I See It - Mus»
» The single-ended pretens»
» Education vs Magic
» About moronity of DIY Au»
» Berlin Philharmonic Dire»
» Johannes Brahms - Sympho»
» Not all audio equipment »
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AudioTools
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High-End Audio
Direct Drive TT
WGBH's “Keeping Score”
Eugene Ormandy Pages
George Szell discography
Technical books online
MusicStack
Duntech Audio loudspeake»
Museatex
Hughs Ominous Tubes
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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