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» The commercial music ser»
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» A horrible re-performanc»
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» Sonic consequences of re»
» Can a ultimate playback »
» Listening to Music with »
» I do not even know where»
» Some horn writing by Tho»
» Tokyo (Akihabra) Audio a»
» If I were a High-End Aud»
» Aimez-vous Bartók?
» Reel-to-Reel Tape vs. Ra»
» How does [Phaseplug Desi»
» The experiments with rem»
» Better DAW by a “second”»
» Audiophiles are Happy or»
» Opera “Boris Godunov”
» Interview with Daniel We»
» “Get Better Sound” by Ji»
» About Timbre and Audio.
» Macondo Frame modificati»
» Tube GU-29
» Resonating hi from overs»
» DVD for pop, SACD for cl»
» About the ownership of a»
» Horn high-sensitively ar»
» Bad, bad, bad 1812 Overt»
» Monitors: Wishful thinki»
» The Opera Room
» The BSO and Digital Musi»
» Tweeters: the most misus»
» CDs organisation methodo»
» Afraid loudspeakers that»
» The CES 2005
» A strange urge.
» Lampizator horn
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