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Audio Knowledge Tree ™
Romy's "Audio Rules"
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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
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» The Softer Side of a Har»
» Silicone gel damping?
» The differential diagnos»
» BD-Design’s Orelino
» Thomas Mayer’s Triamp
» Baltimore Symphony Appoi»
» Pono & Meridian - an»
» Lamm hybrids: M1.2 vs. L»
» A Simple Question (or 3)»
» It was seventy years ago»
» Earl Geddes: Horny Book
» Horn speaker with dipole»
» The Expressive Technolog»
» I need some advice and d»
» Claude Perrier and his t»
» My new favorite "Ne»
» Use absolute polarity as»
» Some thoughts about Milq»
» Paradoxes of my Racism.
» The not-so-big listening»
» The 3 things that audio »
» The cPlay software.
» Steve Leung, Cartridge W»
» Help with RF loop
» The most complicated que»
» A horn workshop
» A quest for a better SET.
» Micro Seiki SX 111FV Pla»
» Midbass Horns and Real E»
» The Rafael Kubelík'»
» Re-set Martha Argerich!
» What lives in Symmetric »
» RCA’s Sound And The Story
» Some evidence for the ch»
» Anyone know this horn fl»
» The best 20 hz bass horn
» The New sound of London »
» Why David Robertson does»
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Elliott Sound Products
Heart's Ease
Electron Tube Data sheets
Tchaikovsky-Research.
WGBH alumni
Classical Collections
Tonal tests
The Thiele-Small Loudspe»
Dazy Web Labaratory
Rottenburger Museen
Duke Classical
Cedille Chicago
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Stage Acompany SA8535 d»
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Micro-Seiki Arm Board
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