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» The Softer Side of a Har»
» About DSET-driven multi-»
» Rachmaninoff Piano Conc»
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» Yet another Gould box se»
» Another topic on vitavox»
» Jean Hiraga’s cooking of»
» We who are about to die.»
» New sample 24/96 downloa»
» Magico Model 6 loudspeak»
» Balanchine’s “Pathetique”
» Where high-end audio sta»
» What, no Mahler?
» Two channels (tweeter an»
» A single worst thing in »
» The mono cartridges para»
» Interested in reading mo»
» Clean and polish gunmeta»
» What Is The Minimum for »
» Playing American Music o»
» Ale horns on ebay possib»
» EnABL: Just a note to aw»
» If you've never heard th»
» Why GOTO do not care abo»
» Constant directivity = c»
» In Praise of Infidelity »
» Bye-Bye, Fane
» Nice collection of Artic»
» Magico: Robert Harley’s »
» Barn Conversion - James'»
» LLoyd Walker Never Rests
» Rcf n850
» My playback can’t play l»
» The commercial music ser»
» Pop-music as a side-disc»
» BAAS posting of two raw »
» The LavryBlack DA11 Ster»
» How to mitigate the expe»
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Mid-range tantrix round»
Electro-Voice T350 twee»
Altec 515B bass drivers
Ortofon Mono CG 25 Di c»
Vitavox S2/S3 diaphragms
Stage Acompany SA8535 d»
Pacific Microsonics Mod»
Sansui TU-X1 Tuner
“Tree Blind Mice” colle»
Tribute Output Amorphou»
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